Terracotta neck-amphora (jar) with lid and knob (27.16). Culture: Greek, Attic. Dimensions: H. 18 1/2 in. (47 cm)diameter 9 3/4 in. (24.8 cm). Date: ca. 540 B.C..On the body, obverse and reverse, man and woman in chariot accompanied by woman and kithara playerOn the shoulder, combat of foot soldiers and horsemenBlack-figure was a cumbersome, restricted, and quite artificial technique. The vases in this room testify to the variety of effect and the forcefulness of expression that is nonetheless permitted. Probably the greatest single black-figure artist was Exekias, who was both potter and painter. Although the essential ingredients of this work are traditional, its particular character is evident in the robust shape, the extraordinary precision and vitality in the figures and ornament, and the perfect relation of the decorative elements to the body beneath. Museum: Metropolitan Museum of Art, New York, USA.

Terracotta neck-amphora (jar) with lid and knob (27.16). Culture: Greek, Attic. Dimensions: H. 18 1/2 in. (47 cm)diameter 9 3/4 in. (24.8 cm). Date: ca. 540 B.C..On the body, obverse and reverse, man and woman in chariot accompanied by woman and kithara playerOn the shoulder, combat of foot soldiers and horsemenBlack-figure was a cumbersome, restricted, and quite artificial technique. The vases in this room testify to the variety of effect and the forcefulness of expression that is nonetheless permitted. Probably the greatest single black-figure artist was Exekias, who was both potter and painter. Although the essential ingredients of this work are traditional, its particular character is evident in the robust shape, the extraordinary precision and vitality in the figures and ornament, and the perfect relation of the decorative elements to the body beneath. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Terracotta neck-amphora (jar) with lid and knob (27.16). Culture: Greek, Attic. Dimensions: H. 18 1/2 in. (47 cm)diameter 9 3/4 in. (24.8 cm). Date: ca. 540 B.C..On the body, obverse and reverse, man and woman in chariot accompanied by woman and kithara playerOn the shoulder, combat of foot soldiers and horsemenBlack-figure was a cumbersome, restricted, and quite artificial technique. The vases in this room testify to the variety of effect and the forcefulness of expression that is nonetheless permitted. Probably the greatest single black-figure artist was Exekias, who was both potter and painter. Although the essential ingredients of this work are traditional, its particular character is evident in the robust shape, the extraordinary precision and vitality in the figures and ornament, and the perfect relation of the decorative elements to the body beneath. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17405478Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3368×4200
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