Tea gown 1894 House of Worth French The sleeves and collar of this teagown reference the early 17th century, which was a common period for Worth to draw from. Although it appears to be a loose garment, the understructure is boned. Even though the garment would not have required such structure for its use, women were often more comfortable when retaining their armor. The economic use of fabric employing the selvedges as a decorative detail was also commonly practiced by Worth.Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion af

Tea gown 1894 House of Worth French The sleeves and collar of this teagown reference the early 17th century, which was a common period for Worth to draw from. Although it appears to be a loose garment, the understructure is boned. Even though the garment would not have required such structure for its use, women were often more comfortable when retaining their armor. The economic use of fabric employing the selvedges as a decorative detail was also commonly practiced by Worth.Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion af
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Tea gown 1894 House of Worth French The sleeves and collar of this teagown reference the early 17th century, which was a common period for Worth to draw from. Although it appears to be a loose garment, the understructure is boned. Even though the garment would not have required such structure for its use, women were often more comfortable when retaining their armor. The economic use of fabric employing the selvedges as a decorative detail was also commonly practiced by Worth.Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion af by Piemags/PL Photography Limited is available for licensing today.
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