Tarquin and Lucretia late 17th century After a composition by Hubert Gerhard German The design is a compositional outgrowth of Hubert Gerhards Mars, Venus, and Cupid. His large bronze group with that subject, cast in 1584-85 as the centerpiece for a fountain at the Fugger castle, Kirchheim, is now in the Bayerisches Nationalmuseum, Munich, and a fine reduction, with modifications, is in the Kunsthistorisches Museum, Vienna. The Tarquin and Lucretia is a further variant in which the movements of both figures are directed more violently to the right. Several examples exist—in museums in Amsterdam, Baden-Baden, Baltimore, and Cleveland, among others. The strongest may be the one in the Metropolitan Museum (50.201; from the Thyssen collection, Schloss Rohoncz).[1 It preserves something of Gerhard and his school. The present bronze is sleeker, and of a yellowish metal covered with the ruddy lacquer patina that is typical of bronzes of the Louis XV period.The masks on the self-base are equ

Tarquin and Lucretia late 17th century After a composition by Hubert Gerhard German The design is a compositional outgrowth of Hubert Gerhards Mars, Venus, and Cupid. His large bronze group with that subject, cast in 1584-85 as the centerpiece for a fountain at the Fugger castle, Kirchheim, is now in the Bayerisches Nationalmuseum, Munich, and a fine reduction, with modifications, is in the Kunsthistorisches Museum, Vienna. The Tarquin and Lucretia is a further variant in which the movements of both figures are directed more violently to the right. Several examples exist—in museums in Amsterdam, Baden-Baden, Baltimore, and Cleveland, among others. The strongest may be the one in the Metropolitan Museum (50.201; from the Thyssen collection, Schloss Rohoncz).[1 It preserves something of Gerhard and his school. The present bronze is sleeker, and of a yellowish metal covered with the ruddy lacquer patina that is typical of bronzes of the Louis XV period.The masks on the self-base are equ
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Tarquin and Lucretia late 17th century After a composition by Hubert Gerhard German The design is a compositional outgrowth of Hubert Gerhards Mars, Venus, and Cupid. His large bronze group with that subject, cast in 1584-85 as the centerpiece for a fountain at the Fugger castle, Kirchheim, is now in the Bayerisches Nationalmuseum, Munich, and a fine reduction, with modifications, is in the Kunsthistorisches Museum, Vienna. The Tarquin and Lucretia is a further variant in which the movements of both figures are directed more violently to the right. Several examples exist—in museums in Amsterdam, Baden-Baden, Baltimore, and Cleveland, among others. The strongest may be the one in the Metropolitan Museum (50.201; from the Thyssen collection, Schloss Rohoncz).[1 It preserves something of Gerhard and his school. The present bronze is sleeker, and of a yellowish metal covered with the ruddy lacquer patina that is typical of bronzes of the Louis XV period.The masks on the self-base are equ by Piemags/PL Photography Limited is available for licensing today.
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