Tabernacle frame second quarter 14th century Italian, Siena The shallow molding profile of this engaged frame provides a gentle transition to the punched borders of the painting, a "Madonna and Child'" formerly attributed to Naddo Ceccarelli (fl. 1340s). The compressed ogee molding is refined with two lines of punching above and below it that echo the punched haloes and drapery of the Madona and Child. The summary acanthus leaves on the gabled outline of the frame are like a ripple of light surmounting the painting. In the nineteenth century this panel was attached to two rectangular panels also in the Robert Lehman Collection, one depicting Saint Michael, the other Saint Nicholas of Bari, that are attributed ot Pietro di Giovanni d'Ambrogio (ca. 1409-49).. Tabernacle frame. Italian, Siena. second quarter 14th century. Pine. Gold-orange bole.. Frames

Tabernacle frame second quarter 14th century Italian, Siena The shallow molding profile of this engaged frame provides a gentle transition to the punched borders of the painting, a "Madonna and Child'" formerly attributed to Naddo Ceccarelli (fl. 1340s). The compressed ogee molding is refined with two lines of punching above and below it that echo the punched haloes and drapery of the Madona and Child. The summary acanthus leaves on the gabled outline of the frame are like a ripple of light surmounting the painting. In the nineteenth century this panel was attached to two rectangular panels also in the Robert Lehman Collection, one depicting Saint Michael, the other Saint Nicholas of Bari, that are attributed ot Pietro di Giovanni d'Ambrogio (ca. 1409-49).. Tabernacle frame. Italian, Siena. second quarter 14th century. Pine. Gold-orange bole.. Frames
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Tabernacle frame second quarter 14th century Italian, Siena The shallow molding profile of this engaged frame provides a gentle transition to the punched borders of the painting, a "Madonna and Child'" formerly attributed to Naddo Ceccarelli (fl. 1340s). The compressed ogee molding is refined with two lines of punching above and below it that echo the punched haloes and drapery of the Madona and Child. The summary acanthus leaves on the gabled outline of the frame are like a ripple of light surmounting the painting. In the nineteenth century this panel was attached to two rectangular panels also in the Robert Lehman Collection, one depicting Saint Michael, the other Saint Nicholas of Bari, that are attributed ot Pietro di Giovanni d'Ambrogio (ca. 1409-49).. Tabernacle frame. Italian, Siena. second quarter 14th century. Pine. Gold-orange bole.. Frames by Piemags/PL Photography Limited is available for licensing today.
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DETAILS
Image Number: 6145-29832294Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2007×4000
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