Study of a Woman Seated 1828-81 Romain Cazes This drawing of a part of a robe worn by a lightly sketched woman comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New York collector and critic who promoted "Art for Art's Sake," insisting that aesthetics, rather than narrative or moral concerns, underpins enduring art.. Study of a Woman Seated 355524

Study of a Woman Seated 1828-81 Romain Cazes This drawing of a part of a robe worn by a lightly sketched woman comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New York collector and critic who promoted "Art for Art's Sake," insisting that aesthetics, rather than narrative or moral concerns, underpins enduring art.. Study of a Woman Seated 355524
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Study of a Woman Seated 1828-81 Romain Cazes This drawing of a part of a robe worn by a lightly sketched woman comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New York collector and critic who promoted "Art for Art's Sake," insisting that aesthetics, rather than narrative or moral concerns, underpins enduring art.. Study of a Woman Seated 355524 by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29820371Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2553×3671
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