Study of Two Figures for the Age of Gold 1637 Pietro da Cortona (Pietro Berrettini) Italian In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, arrived in Florence and immediately began a fresco cycle commissioned by the Grand Duke of Tuscany, Ferdinando II (1610-1670) and his wife Vittoria della Rovere (1622-1694), for the Camera della Stufa in the Pitti Palace. The subject was the Four Ages of the World as recounted at the beginning of Ovid's Metamorphoses, a classical literary source. This drawing is a study for the couple seated at the left in the Age of Gold. In this fresco the young woman crowns the seated youth with a laurel of victory, an allusion to the name Vittoria, while putti, laden with branches of oak (rovere), advance without disturbing a docile lion, these are references to the Medici - Della Rovere marriage symbolized by the youthful couple.. Study of Two Figures for the Age of Gold 338546

Study of Two Figures for the Age of Gold 1637 Pietro da Cortona (Pietro Berrettini) Italian In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, arrived in Florence and immediately began a fresco cycle commissioned by the Grand Duke of Tuscany, Ferdinando II (1610-1670) and his wife Vittoria della Rovere (1622-1694), for the Camera della Stufa in the Pitti Palace. The subject was the Four Ages of the World as recounted at the beginning of Ovid's Metamorphoses, a classical literary source. This drawing is a study for the couple seated at the left in the Age of Gold. In this fresco the young woman crowns the seated youth with a laurel of victory, an allusion to the name Vittoria, while putti, laden with branches of oak (rovere), advance without disturbing a docile lion, these are references to the Medici - Della Rovere marriage symbolized by the youthful couple.. Study of Two Figures for the Age of Gold 338546
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Study of Two Figures for the Age of Gold 1637 Pietro da Cortona (Pietro Berrettini) Italian In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, arrived in Florence and immediately began a fresco cycle commissioned by the Grand Duke of Tuscany, Ferdinando II (1610-1670) and his wife Vittoria della Rovere (1622-1694), for the Camera della Stufa in the Pitti Palace. The subject was the Four Ages of the World as recounted at the beginning of Ovid's Metamorphoses, a classical literary source. This drawing is a study for the couple seated at the left in the Age of Gold. In this fresco the young woman crowns the seated youth with a laurel of victory, an allusion to the name Vittoria, while putti, laden with branches of oak (rovere), advance without disturbing a docile lion, these are references to the Medici - Della Rovere marriage symbolized by the youthful couple.. Study of Two Figures for the Age of Gold 338546 by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low389 X 500
  • $150.00 Med583 X 750
  • $250.00 High2683 X 3449
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$1,225.00
RF High / Super Res 5 Pack
Save $25.00
$245.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29794599Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2683×3449
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|