Study of a Palm Tree (recto); Mountain Landscape (verso) ca. 1635-40 Nicolas Poussin French This rare, double-sided sheet comprises two studies by Nicolas Poussin, a founding figure of the French grand manner. It is part of a small group of surviving landscape drawings, presumably made in plein air, that offer evidence that Poussin's classicizing landscapes were based on the direct observation of nature.On the recto is a study of a palm tree with lush foliage and rough bark. Detailed studies of individual landscape motifs are otherwise unknown in Poussin's oeuvre, though lone palm trees do occupy prominent positions in several of his paintings, where they serve to identify the setting as the Holy Land. On the verso, Poussin created an expansive landscape with a remarkable economy of means. Although the composition does not appear to be connected to an extant painting, the distant craggy peaks, the stand of trees to the right, and the tree used as a repoussoir on the left are all typica

Study of a Palm Tree (recto); Mountain Landscape (verso) ca. 1635-40 Nicolas Poussin French This rare, double-sided sheet comprises two studies by Nicolas Poussin, a founding figure of the French grand manner. It is part of a small group of surviving landscape drawings, presumably made in plein air, that offer evidence that Poussin's classicizing landscapes were based on the direct observation of nature.On the recto is a study of a palm tree with lush foliage and rough bark. Detailed studies of individual landscape motifs are otherwise unknown in Poussin's oeuvre, though lone palm trees do occupy prominent positions in several of his paintings, where they serve to identify the setting as the Holy Land. On the verso, Poussin created an expansive landscape with a remarkable economy of means. Although the composition does not appear to be connected to an extant painting, the distant craggy peaks, the stand of trees to the right, and the tree used as a repoussoir on the left are all typica
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Study of a Palm Tree (recto); Mountain Landscape (verso) ca. 1635-40 Nicolas Poussin French This rare, double-sided sheet comprises two studies by Nicolas Poussin, a founding figure of the French grand manner. It is part of a small group of surviving landscape drawings, presumably made in plein air, that offer evidence that Poussin's classicizing landscapes were based on the direct observation of nature.On the recto is a study of a palm tree with lush foliage and rough bark. Detailed studies of individual landscape motifs are otherwise unknown in Poussin's oeuvre, though lone palm trees do occupy prominent positions in several of his paintings, where they serve to identify the setting as the Holy Land. On the verso, Poussin created an expansive landscape with a remarkable economy of means. Although the composition does not appear to be connected to an extant painting, the distant craggy peaks, the stand of trees to the right, and the tree used as a repoussoir on the left are all typica by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low500 X 397
  • $150.00 Med750 X 595
  • $250.00 High3251 X 2579
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$1,225.00
RF High / Super Res 5 Pack
Save $25.00
$245.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29830069Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3251×2579
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|