Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso) 1600-1614 Jacopo Palma the Younger Italian This expressive sheet by Jacopo Palma the Younger, a younger contemporary of Tintoretto in Venice, includes, at upper right, a powerful study for Christ the Redeemer and, at lower left, three figures wrestling. The latter group was drawn after a replica of Michelangelos (1475-1564) lost model for a statue of Samson and two Philistines, which had been intended as a pendant to the masters great marble David (1501-4) on the Piazza della Signoria, in Florence, but was never executed. Palmas sketchy, bold brushwork and use of white highlights are hallmarks of Venetian draftsmanship from this period.. Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso) 334695

Brand: PL Photography Limited
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Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso) 1600-1614 Jacopo Palma the Younger Italian This expressive sheet by Jacopo Palma the Younger, a younger contemporary of Tintoretto in Venice, includes, at upper right, a powerful study for Christ the Redeemer and, at lower left, three figures wrestling. The latter group was drawn after a replica of Michelangelos (1475-1564) lost model for a statue of Samson and two Philistines, which had been intended as a pendant to the masters great marble David (1501-4) on the Piazza della Signoria, in Florence, but was never executed. Palmas sketchy, bold brushwork and use of white highlights are hallmarks of Venetian draftsmanship from this period.. Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso) 334695

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso) 1600-1614 Jacopo Palma the Younger Italian This expressive sheet by Jacopo Palma the Younger, a younger contemporary of Tintoretto in Venice, includes, at upper right, a powerful study for Christ the Redeemer and, at lower left, three figures wrestling. The latter group was drawn after a replica of Michelangelos (1475-1564) lost model for a statue of Samson and two Philistines, which had been intended as a pendant to the masters great marble David (1501-4) on the Piazza della Signoria, in Florence, but was never executed. Palmas sketchy, bold brushwork and use of white highlights are hallmarks of Venetian draftsmanship from this period.. Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso) 334695 by Piemags/PL Photography Limited is available for licensing today.

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