Street at Saverne 1858 James McNeill Whistler American After visiting the Alsatian town of Saverne in the summer of 1858, Whistler produced his first etched "Nocturne." Sharp recession heightens the irregular forms of old buildings, with a gas lantern hanging at right casting deep shadows. The choice of paper and "artistic" inking, carried out by the leading Parisian printer Auguste Deltre, enhance the effect. Whistler included this work in his first published set, "Douze eaux-fortes daprès nature" (Twelve Etchings from Nature), which he always referred to as the "French Set.". Street at Saverne 372485

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Street at Saverne 1858 James McNeill Whistler American After visiting the Alsatian town of Saverne in the summer of 1858, Whistler produced his first etched "Nocturne." Sharp recession heightens the irregular forms of old buildings, with a gas lantern hanging at right casting deep shadows. The choice of paper and "artistic" inking, carried out by the leading Parisian printer Auguste Deltre, enhance the effect. Whistler included this work in his first published set, "Douze eaux-fortes daprès nature" (Twelve Etchings from Nature), which he always referred to as the "French Set.". Street at Saverne 372485

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Street at Saverne 1858 James McNeill Whistler American After visiting the Alsatian town of Saverne in the summer of 1858, Whistler produced his first etched "Nocturne." Sharp recession heightens the irregular forms of old buildings, with a gas lantern hanging at right casting deep shadows. The choice of paper and "artistic" inking, carried out by the leading Parisian printer Auguste Deltre, enhance the effect. Whistler included this work in his first published set, "Douze eaux-fortes daprès nature" (Twelve Etchings from Nature), which he always referred to as the "French Set.". Street at Saverne 372485 by Piemags/PL Photography Limited is available for licensing today.

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