Standing cup (half of a double cup) early 17th century Michael Czikos de Tarcal The punched intersecting lines on this silver cup are inspired by the Renaissance glass pattern reticello (meaning netlike), in which narrow opaque white glass rods form a fine lattice design with tiny air bubbles at the center of each diamond. In metalwork, the intersecting lines are punched with a light-catching dot. The tall lip indicates that the cup was originally one half of a double cup, like an intact pair in the Museum's collection, acc. no. 2010.110.68a, b. When displayed, its pair would be placed upside down on top of it like an enormous lid.LiteratureCatalogue of Fine European Silver. Sale cat., Sothebys, Geneva, November 10, 1981, p. 67, no. 170.Judit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, p. 35, no. 13.ReferencesJános Visegrádi. “Egyházi ötvösművek Zemplén vármegyéből.” Múzeumi és könyvtári értesítő 6 (1912), p. 30.Elemér Kőszeghy. Magyarországi ötvösjegyek

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Standing cup (half of a double cup) early 17th century Michael Czikos de Tarcal The punched intersecting lines on this silver cup are inspired by the Renaissance glass pattern reticello (meaning netlike), in which narrow opaque white glass rods form a fine lattice design with tiny air bubbles at the center of each diamond. In metalwork, the intersecting lines are punched with a light-catching dot. The tall lip indicates that the cup was originally one half of a double cup, like an intact pair in the Museum's collection, acc. no. 2010.110.68a, b. When displayed, its pair would be placed upside down on top of it like an enormous lid.LiteratureCatalogue of Fine European Silver. Sale cat., Sothebys, Geneva, November 10, 1981, p. 67, no. 170.Judit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, p. 35, no. 13.ReferencesJános Visegrádi. “Egyházi ötvösművek Zemplén vármegyéből.” Múzeumi és könyvtári értesítő 6 (1912), p. 30.Elemér Kőszeghy. Magyarországi ötvösjegyek

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Standing cup (half of a double cup) early 17th century Michael Czikos de Tarcal The punched intersecting lines on this silver cup are inspired by the Renaissance glass pattern reticello (meaning netlike), in which narrow opaque white glass rods form a fine lattice design with tiny air bubbles at the center of each diamond. In metalwork, the intersecting lines are punched with a light-catching dot. The tall lip indicates that the cup was originally one half of a double cup, like an intact pair in the Museum's collection, acc. no. 2010.110.68a, b. When displayed, its pair would be placed upside down on top of it like an enormous lid.LiteratureCatalogue of Fine European Silver. Sale cat., Sothebys, Geneva, November 10, 1981, p. 67, no. 170.Judit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, p. 35, no. 13.ReferencesJános Visegrádi. “Egyházi ötvösművek Zemplén vármegyéből.” Múzeumi és könyvtári értesítő 6 (1912), p. 30.Elemér Kőszeghy. Magyarországi ötvösjegyek by Piemags/PL Photography Limited is available for licensing today.

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