St. Sulpice, Paris. Artist: Armand-Hippolyte-Louis Fizeau (French, 1819-1896). Date: ca. 1841.Unlike William Henry Fox Talbot's paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a single example with each use. In response to this limitation, several processes were developed to reproduce daguerreotypes in ink. Hippolyte Fizeau, a scientist and daguerreotypist, devised a method for etching directly into the copper daguerreotype plate, which created a printing plate but destroyed the daguerreotype in the process. The plate could then be used to make multiple prints on paper in permanent ink. The process was not perfect, however, and the resulting prints often looked primitive compared to the refined surface and tonal depth of the original daguerreotype. Nevertheless, this print by Fizeau possesses an impressive amount of detail, from the maze of lines in the stone-and-brick walls to the tiny tiles in th

St. Sulpice, Paris. Artist: Armand-Hippolyte-Louis Fizeau (French, 1819-1896). Date: ca. 1841.Unlike William Henry Fox Talbot's paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a single example with each use. In response to this limitation, several processes were developed to reproduce daguerreotypes in ink. Hippolyte Fizeau, a scientist and daguerreotypist, devised a method for etching directly into the copper daguerreotype plate, which created a printing plate but destroyed the daguerreotype in the process. The plate could then be used to make multiple prints on paper in permanent ink. The process was not perfect, however, and the resulting prints often looked primitive compared to the refined surface and tonal depth of the original daguerreotype. Nevertheless, this print by Fizeau possesses an impressive amount of detail, from the maze of lines in the stone-and-brick walls to the tiny tiles in th
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of St. Sulpice, Paris. Artist: Armand-Hippolyte-Louis Fizeau (French, 1819-1896). Date: ca. 1841.Unlike William Henry Fox Talbot's paper negative process, which allowed for multiple positives to be made from the same negative, the daguerreotype process produced only a single example with each use. In response to this limitation, several processes were developed to reproduce daguerreotypes in ink. Hippolyte Fizeau, a scientist and daguerreotypist, devised a method for etching directly into the copper daguerreotype plate, which created a printing plate but destroyed the daguerreotype in the process. The plate could then be used to make multiple prints on paper in permanent ink. The process was not perfect, however, and the resulting prints often looked primitive compared to the refined surface and tonal depth of the original daguerreotype. Nevertheless, this print by Fizeau possesses an impressive amount of detail, from the maze of lines in the stone-and-brick walls to the tiny tiles in th by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17382120Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4067×3323
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