Spring in the guise of Flora (one of a pair) 1616-17 Pietro Bernini Italian The two terms were made in 1616 by Pietro Bernini (1562-1629) with the assistance of his more famous son, the sculptor Gian Lorenzo Bernini (1598-1680), for Cardinal Scipione Borghese. Each consisting of a half-body merging into a tapering pedestal, they originally stood in the gardens of the Villa Borghese in Rome, at the entrance to the cardinal's Vigna di Porta Pinciana. Appropriately laden with fruits and flowers, the Flora and Priapus (see 1990.53.2), carved in an energetic, rustic fashion, symbolize the abundance of nature in spring and autumn.. Spring in the guise of Flora (one of a pair). Pietro Bernini (Italian, 1562-1629). Italian, Rome. 1616-17. Marble. Sculpture

Spring in the guise of Flora (one of a pair) 1616-17 Pietro Bernini Italian The two terms were made in 1616 by Pietro Bernini (1562-1629) with the assistance of his more famous son, the sculptor Gian Lorenzo Bernini (1598-1680), for Cardinal Scipione Borghese. Each consisting of a half-body merging into a tapering pedestal, they originally stood in the gardens of the Villa Borghese in Rome, at the entrance to the cardinal's Vigna di Porta Pinciana. Appropriately laden with fruits and flowers, the Flora and Priapus (see 1990.53.2), carved in an energetic, rustic fashion, symbolize the abundance of nature in spring and autumn.. Spring in the guise of Flora (one of a pair). Pietro Bernini (Italian, 1562-1629). Italian, Rome. 1616-17. Marble. Sculpture
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Spring in the guise of Flora (one of a pair) 1616-17 Pietro Bernini Italian The two terms were made in 1616 by Pietro Bernini (1562-1629) with the assistance of his more famous son, the sculptor Gian Lorenzo Bernini (1598-1680), for Cardinal Scipione Borghese. Each consisting of a half-body merging into a tapering pedestal, they originally stood in the gardens of the Villa Borghese in Rome, at the entrance to the cardinal's Vigna di Porta Pinciana. Appropriately laden with fruits and flowers, the Flora and Priapus (see 1990.53.2), carved in an energetic, rustic fashion, symbolize the abundance of nature in spring and autumn.. Spring in the guise of Flora (one of a pair). Pietro Bernini (Italian, 1562-1629). Italian, Rome. 1616-17. Marble. Sculpture by Piemags/PL Photography Limited is available for licensing today.
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