The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki) ca. 1892 Tsukioka Yoshitoshi As witnessed in works by other late Edo-period artists like Utagawa Kuniyoshi (1797-1861), a fascination with memorializing scenes from Japanese literature that capture elements of the supernatural and macabre flourished in the late 1800s. Though Tsukioka Yoshitoshi was a pupil of Kuniyoshi, he was influenced by the modernization of Japan and modern media, and sometimes produced violent and disturbing images. Ultimately, however, he became nostalgic for the disappearing traditional culture and ukiyo-e style. In this painting, the semitransparent spirit of the deceased Yūgao is wraithlike and blue-lipped in the moonlight, with evening faces” moonflower vines encircling her.. The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print The

The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki) ca. 1892 Tsukioka Yoshitoshi As witnessed in works by other late Edo-period artists like Utagawa Kuniyoshi (1797-1861), a fascination with memorializing scenes from Japanese literature that capture elements of the supernatural and macabre flourished in the late 1800s. Though Tsukioka Yoshitoshi was a pupil of Kuniyoshi, he was influenced by the modernization of Japan and modern media, and sometimes produced violent and disturbing images. Ultimately, however, he became nostalgic for the disappearing traditional culture and ukiyo-e style. In this painting, the semitransparent spirit of the deceased Yūgao is wraithlike and blue-lipped in the moonlight, with evening faces” moonflower vines encircling her.. The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print The
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki) ca. 1892 Tsukioka Yoshitoshi As witnessed in works by other late Edo-period artists like Utagawa Kuniyoshi (1797-1861), a fascination with memorializing scenes from Japanese literature that capture elements of the supernatural and macabre flourished in the late 1800s. Though Tsukioka Yoshitoshi was a pupil of Kuniyoshi, he was influenced by the modernization of Japan and modern media, and sometimes produced violent and disturbing images. Ultimately, however, he became nostalgic for the disappearing traditional culture and ukiyo-e style. In this painting, the semitransparent spirit of the deceased Yūgao is wraithlike and blue-lipped in the moonlight, with evening faces” moonflower vines encircling her.. The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print The by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29788014Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:1517×4000
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