Shield in the Classical Style probably ca. 1760-70 French, Paris The great weight of this extraordinary shield and a related helmet also in the Metropolitan Museums collection (04.3.259) (over thirteen pounds each) indicates that they were never intended to be worn. They must have served a purely decorative function, perhaps as part of an ornamental panoply of arms that graced some rich interior.The bronze helmet bowl and shield were silvered and patinated to look like blued steel. Finely crafted ormolu (gilt bronze) mounts were cast separately and attached individually to them. The mounts are equal in quality to the best ormolu furniture mounts made in Paris around 1760, when Neoclassical design was superseding Rococo. Rather than the work of an armorer, this helmet and shield were probably designed by an artist and made by a craftsman or workshop that produced furniture mounts and other decorative bronze objects.By the eighteenth century, the purpose of armor was chiefly symbolic. Ar

Brand: PL Photography Limited
SKU: 6145-29738466
Availability: InStock

Shield in the Classical Style probably ca. 1760-70 French, Paris The great weight of this extraordinary shield and a related helmet also in the Metropolitan Museums collection (04.3.259) (over thirteen pounds each) indicates that they were never intended to be worn. They must have served a purely decorative function, perhaps as part of an ornamental panoply of arms that graced some rich interior.The bronze helmet bowl and shield were silvered and patinated to look like blued steel. Finely crafted ormolu (gilt bronze) mounts were cast separately and attached individually to them. The mounts are equal in quality to the best ormolu furniture mounts made in Paris around 1760, when Neoclassical design was superseding Rococo. Rather than the work of an armorer, this helmet and shield were probably designed by an artist and made by a craftsman or workshop that produced furniture mounts and other decorative bronze objects.By the eighteenth century, the purpose of armor was chiefly symbolic. Ar

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Shield in the Classical Style probably ca. 1760-70 French, Paris The great weight of this extraordinary shield and a related helmet also in the Metropolitan Museums collection (04.3.259) (over thirteen pounds each) indicates that they were never intended to be worn. They must have served a purely decorative function, perhaps as part of an ornamental panoply of arms that graced some rich interior.The bronze helmet bowl and shield were silvered and patinated to look like blued steel. Finely crafted ormolu (gilt bronze) mounts were cast separately and attached individually to them. The mounts are equal in quality to the best ormolu furniture mounts made in Paris around 1760, when Neoclassical design was superseding Rococo. Rather than the work of an armorer, this helmet and shield were probably designed by an artist and made by a craftsman or workshop that produced furniture mounts and other decorative bronze objects.By the eighteenth century, the purpose of armor was chiefly symbolic. Ar by Piemags/PL Photography Limited is available for licensing today.

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