Seasons and Elements (Summer) (set of four) ca. 1683 Possibly after a design by Charles Le Brun French Representing spring and summer, fire and air, these hangings (MMA 46.43.1-.4) were part of a larger set that must also have included the two missing seasons and elements. This series included portraits of Louis XIV, his mistress Françoise-Athénaïs de Rochechouart, marquise de Montespan (1641 - 1707 ), and six of their children, all shown as deities. The hangings were probably worked at the convent of the Filles de Saint-Joseph in Paris, which was under the patronage of Madame de Montespan, and where she retired in 1691. At this religious community, orphan girls were educated in the art of needlepoint, and a number of royal embroidery projects for use at Versailles were executed there, with the additional assistance of professional embroiderers. The Museums four panels are believed to have been commissioned by Madame de Montespan about the time the king transferred his affections from

Seasons and Elements (Summer) (set of four) ca. 1683 Possibly after a design by Charles Le Brun French Representing spring and summer, fire and air, these hangings (MMA 46.43.1-.4) were part of a larger set that must also have included the two missing seasons and elements. This series included portraits of Louis XIV, his mistress Françoise-Athénaïs de Rochechouart, marquise de Montespan (1641 - 1707 ), and six of their children, all shown as deities. The hangings were probably worked at the convent of the Filles de Saint-Joseph in Paris, which was under the patronage of Madame de Montespan, and where she retired in 1691. At this religious community, orphan girls were educated in the art of needlepoint, and a number of royal embroidery projects for use at Versailles were executed there, with the additional assistance of professional embroiderers. The Museums four panels are believed to have been commissioned by Madame de Montespan about the time the king transferred his affections from
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