Sarcophagus of Prince Yuan Mi, 524, Black limestone, China, 6th century, This sarcophagus, as well as the epitaph cover and the accompanying tablet, were reportedly recovered from a tomb located in Lijiaao village, northwest of Luoyang in Henan province. Together they document an important stage in the development of the pictorial tradition in Chinese art. Buddhist, Confucian, and Daoist imagery intermingle within a landscape setting that anticipates the later genre of landscape painting in Chinese art. Along each side of the sarcophagus, amid trees and mountains, five scenes illustrate the Confucian virtue of filial piety, or respect for ones parents, elders, and ancestors. Daoist and Buddhist imagery is prominent in the heavenly scene above: immortals riding on dragons, phoenixes, and birds.

Sarcophagus of Prince Yuan Mi, 524, Black limestone, China, 6th century, This sarcophagus, as well as the epitaph cover and the accompanying tablet, were reportedly recovered from a tomb located in Lijiaao village, northwest of Luoyang in Henan province. Together they document an important stage in the development of the pictorial tradition in Chinese art. Buddhist, Confucian, and Daoist imagery intermingle within a landscape setting that anticipates the later genre of landscape painting in Chinese art. Along each side of the sarcophagus, amid trees and mountains, five scenes illustrate the Confucian virtue of filial piety, or respect for ones parents, elders, and ancestors. Daoist and Buddhist imagery is prominent in the heavenly scene above: immortals riding on dragons, phoenixes, and birds.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Sarcophagus of Prince Yuan Mi, 524, Black limestone, China, 6th century, This sarcophagus, as well as the epitaph cover and the accompanying tablet, were reportedly recovered from a tomb located in Lijiaao village, northwest of Luoyang in Henan province. Together they document an important stage in the development of the pictorial tradition in Chinese art. Buddhist, Confucian, and Daoist imagery intermingle within a landscape setting that anticipates the later genre of landscape painting in Chinese art. Along each side of the sarcophagus, amid trees and mountains, five scenes illustrate the Confucian virtue of filial piety, or respect for ones parents, elders, and ancestors. Daoist and Buddhist imagery is prominent in the heavenly scene above: immortals riding on dragons, phoenixes, and birds. by Artokoloro is available for licensing today.
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Image Number: 4443-28741654Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:6120×2415
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