Saint Philip Baptizing Queen Candace's Eunuch ca.1638 Claude Vignon Vignon was one of the more spirited and original French printmakers of the seventeenth century. He trained in Rome and upon his return was patronized by Louis XIII and the cardinal Richelieu. In a style influenced by Rembrandt and the Lorraine school, he created tactile etchings capturing the dramatic contrasts of light and dark that also characterized his paintings. This print records a lost altarpiece Vignon painted for Notre Dame Cathedral in 1638. Typical of his manner is its turbulent composition, expressive line, and strong contrasts of light and dark.. Saint Philip Baptizing Queen Candace's Eunuch. Claude Vignon (French, Tours 1593-1670 Paris). ca.1638. Etching. Pierre Mariette (French, 1596-1657). Prints

Saint Philip Baptizing Queen Candace's Eunuch ca.1638 Claude Vignon Vignon was one of the more spirited and original French printmakers of the seventeenth century. He trained in Rome and upon his return was patronized by Louis XIII and the cardinal Richelieu. In a style influenced by Rembrandt and the Lorraine school, he created tactile etchings capturing the dramatic contrasts of light and dark that also characterized his paintings. This print records a lost altarpiece Vignon painted for Notre Dame Cathedral in 1638. Typical of his manner is its turbulent composition, expressive line, and strong contrasts of light and dark.. Saint Philip Baptizing Queen Candace's Eunuch. Claude Vignon (French, Tours 1593-1670 Paris). ca.1638. Etching. Pierre Mariette (French, 1596-1657). Prints
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Saint Philip Baptizing Queen Candace's Eunuch ca.1638 Claude Vignon Vignon was one of the more spirited and original French printmakers of the seventeenth century. He trained in Rome and upon his return was patronized by Louis XIII and the cardinal Richelieu. In a style influenced by Rembrandt and the Lorraine school, he created tactile etchings capturing the dramatic contrasts of light and dark that also characterized his paintings. This print records a lost altarpiece Vignon painted for Notre Dame Cathedral in 1638. Typical of his manner is its turbulent composition, expressive line, and strong contrasts of light and dark.. Saint Philip Baptizing Queen Candace's Eunuch. Claude Vignon (French, Tours 1593-1670 Paris). ca.1638. Etching. Pierre Mariette (French, 1596-1657). Prints by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29198570Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2712×3711
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