Saint John the Baptist early 16th century Innocenzo da Imola (Innocenzo Francucci) Innocenzo trained as a painter in Bologna with FrancescoFrancia then in Florence with Mariotto Albertinelli. Afterreturning to Bologna in 1517, he executed paintings forchurches there and in surrounding towns. In contrast to theformality of his painting style, his drawingsa small groupof which survivesreveal a softer touch. In this sheet, nodoubt a study for a painting, the artist determines the poseof the figure and observes the play of light across the torso,limbs, and drapery. Innocenzo’s gifts as a draftsman are evidentin the rhythmic charcoal lines and lively white highlights.. Saint John the Baptist. Innocenzo da Imola (Innocenzo Francucci) (Imola 1488/89-Bologna ca. 1545). early 16th century. Black and white chalk. Drawings

Saint John the Baptist early 16th century Innocenzo da Imola (Innocenzo Francucci) Innocenzo trained as a painter in Bologna with FrancescoFrancia then in Florence with Mariotto Albertinelli. Afterreturning to Bologna in 1517, he executed paintings forchurches there and in surrounding towns. In contrast to theformality of his painting style, his drawingsa small groupof which survivesreveal a softer touch. In this sheet, nodoubt a study for a painting, the artist determines the poseof the figure and observes the play of light across the torso,limbs, and drapery. Innocenzo’s gifts as a draftsman are evidentin the rhythmic charcoal lines and lively white highlights.. Saint John the Baptist. Innocenzo da Imola (Innocenzo Francucci) (Imola 1488/89-Bologna ca. 1545). early 16th century. Black and white chalk. Drawings
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Saint John the Baptist early 16th century Innocenzo da Imola (Innocenzo Francucci) Innocenzo trained as a painter in Bologna with FrancescoFrancia then in Florence with Mariotto Albertinelli. Afterreturning to Bologna in 1517, he executed paintings forchurches there and in surrounding towns. In contrast to theformality of his painting style, his drawingsa small groupof which survivesreveal a softer touch. In this sheet, nodoubt a study for a painting, the artist determines the poseof the figure and observes the play of light across the torso,limbs, and drapery. Innocenzo’s gifts as a draftsman are evidentin the rhythmic charcoal lines and lively white highlights.. Saint John the Baptist. Innocenzo da Imola (Innocenzo Francucci) (Imola 1488/89-Bologna ca. 1545). early 16th century. Black and white chalk. Drawings by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29231065Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:1492×3644
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