Saint Francis beneath a Tree, Praying. Rembrandt completed the scene in the second state of this print by introducing an Italian landscape in the background, which is entirely fitting for a saint from Assisi. He did not make the additions in drypoint, but rather etched them in the copper plate. This sequence - etching after drypoint - was quite experimental, and it was the first and also the last time he did this.

Saint Francis beneath a Tree, Praying. Rembrandt completed the scene in the second state of this print by introducing an Italian landscape in the background, which is entirely fitting for a saint from Assisi. He did not make the additions in drypoint, but rather etched them in the copper plate. This sequence - etching after drypoint - was quite experimental, and it was the first and also the last time he did this.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Saint Francis beneath a Tree, Praying. Rembrandt completed the scene in the second state of this print by introducing an Italian landscape in the background, which is entirely fitting for a saint from Assisi. He did not make the additions in drypoint, but rather etched them in the copper plate. This sequence - etching after drypoint - was quite experimental, and it was the first and also the last time he did this. by Piemags/PL Photography Limited is available for licensing today.
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DETAILS
Image Number: 6145-46115716Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Death and Mortality ThemesContributor:PiemagsModel Release:NoProperty Release:NoResolution:2500×1852
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