Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso) 1590-1600 Attributed to Tiberio Titi Italian Philip Pouncey first noted in 1965 that this drawing might be a copy after Santi di Tito (as annotated on the verso of this sheet). As pointed out by Carmen Bambach, the Metropolitan's sheet seems to be a very closely related copy of the drawing with Saint Anthony of Padua healing a sick man (Teyler Museum B 71, Haarlem), attributed to the Circle of Santi di Tito by Carel van Tuyll van Serooskerken. This is probably a copy done in Santi di Tito's workshop because the handling of the pen seems close enough to his general manner. The Teyler sheet is discussed and illustrated in Carel van Tuyll van Serooskerken, The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum, Haarlem, 2000, p. 166, cat. 100.The author of the Metropolitan drawing is more probably Tiberio Titi, the son of the more famous pain

Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso) 1590-1600 Attributed to Tiberio Titi Italian Philip Pouncey first noted in 1965 that this drawing might be a copy after Santi di Tito (as annotated on the verso of this sheet). As pointed out by Carmen Bambach, the Metropolitan's sheet seems to be a very closely related copy of the drawing with Saint Anthony of Padua healing a sick man (Teyler Museum B 71, Haarlem), attributed to the Circle of Santi di Tito by Carel van Tuyll van Serooskerken. This is probably a copy done in Santi di Tito's workshop because the handling of the pen seems close enough to his general manner. The Teyler sheet is discussed and illustrated in Carel van Tuyll van Serooskerken, The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum, Haarlem, 2000, p. 166, cat. 100.The author of the Metropolitan drawing is more probably Tiberio Titi, the son of the more famous pain
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