Relief with Half Figure of an Angel. Culture: North Italian. Dimensions: 19 × 25 5/8 × 8 1/8 in., 190 lb. (48.3 × 65.1 × 20.6 cm, 86.2 kg). Date: ca. 1430-35.This angel, with its soft facial features and weighty, voluminous folds of drapery, represents the medieval style of sculpture typical of Venice in the early 1400s. The earliest sculpture in this gallery, it belongs to a category of figures in high relief made by itinerant workshops for altarpieces and choir screens in churches in northern Italy and Venice. Saints or angels were often massed together within elaborate architectural frames. Half-length angels such as this one often surrounded images of a saint or the Virgin and Child, becoming heavenly mediators between the divine world and that of the viewer. Museum: Metropolitan Museum of Art, New York, USA.

Relief with Half Figure of an Angel. Culture: North Italian. Dimensions: 19 × 25 5/8 × 8 1/8 in., 190 lb. (48.3 × 65.1 × 20.6 cm, 86.2 kg). Date: ca. 1430-35.This angel, with its soft facial features and weighty, voluminous folds of drapery, represents the medieval style of sculpture typical of Venice in the early 1400s. The earliest sculpture in this gallery, it belongs to a category of figures in high relief made by itinerant workshops for altarpieces and choir screens in churches in northern Italy and Venice. Saints or angels were often massed together within elaborate architectural frames. Half-length angels such as this one often surrounded images of a saint or the Virgin and Child, becoming heavenly mediators between the divine world and that of the viewer. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Relief with Half Figure of an Angel. Culture: North Italian. Dimensions: 19 × 25 5/8 × 8 1/8 in., 190 lb. (48.3 × 65.1 × 20.6 cm, 86.2 kg). Date: ca. 1430-35.This angel, with its soft facial features and weighty, voluminous folds of drapery, represents the medieval style of sculpture typical of Venice in the early 1400s. The earliest sculpture in this gallery, it belongs to a category of figures in high relief made by itinerant workshops for altarpieces and choir screens in churches in northern Italy and Venice. Saints or angels were often massed together within elaborate architectural frames. Half-length angels such as this one often surrounded images of a saint or the Virgin and Child, becoming heavenly mediators between the divine world and that of the viewer. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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DETAILS
Image Number: 4409-17380816Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4200×3240
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