Prostitute of Osaka, Left Sheet, c. 1745, Ishikawa Toyonobu; Publisher: Urokogataya Magobei, Japanese, 1711 - 1785, 27 7/16 × 9 3/4 in. (69.7 × 24.8 cm) (image, sheet, kakemono-e), Woodblock print (beni-e); ink on paper, with hand-applied color, Japan, 18th century, This print was originally one of a set of three prints. In each print, a young female attendant accompanies a sumptuously dressed woman who is meant to embody one of Japan's major cities: Osaka (shown here), Kyoto, and Edo. In the case of Osaka, the attendant carries a sake ewer and a cup on a ceremonial serving stand. Her mistress seems to be engrossed in a love letter. Each of the prints also bears a poem that associates a flower or tree with the city. In this example, the poem likens the whitened faces of prostitutes to plum blossoms in early springtime

Prostitute of Osaka, Left Sheet, c. 1745, Ishikawa Toyonobu; Publisher: Urokogataya Magobei, Japanese, 1711 - 1785, 27 7/16 × 9 3/4 in. (69.7 × 24.8 cm) (image, sheet, kakemono-e), Woodblock print (beni-e); ink on paper, with hand-applied color, Japan, 18th century, This print was originally one of a set of three prints. In each print, a young female attendant accompanies a sumptuously dressed woman who is meant to embody one of Japan's major cities: Osaka (shown here), Kyoto, and Edo. In the case of Osaka, the attendant carries a sake ewer and a cup on a ceremonial serving stand. Her mistress seems to be engrossed in a love letter. Each of the prints also bears a poem that associates a flower or tree with the city. In this example, the poem likens the whitened faces of prostitutes to plum blossoms in early springtime
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Prostitute of Osaka, Left Sheet, c. 1745, Ishikawa Toyonobu; Publisher: Urokogataya Magobei, Japanese, 1711 - 1785, 27 7/16 × 9 3/4 in. (69.7 × 24.8 cm) (image, sheet, kakemono-e), Woodblock print (beni-e); ink on paper, with hand-applied color, Japan, 18th century, This print was originally one of a set of three prints. In each print, a young female attendant accompanies a sumptuously dressed woman who is meant to embody one of Japan's major cities: Osaka (shown here), Kyoto, and Edo. In the case of Osaka, the attendant carries a sake ewer and a cup on a ceremonial serving stand. Her mistress seems to be engrossed in a love letter. Each of the prints also bears a poem that associates a flower or tree with the city. In this example, the poem likens the whitened faces of prostitutes to plum blossoms in early springtime by Artokoloro is available for licensing today.
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Image Number: 4443-28733103Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:2284×6266
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