Print; 1896-31-55

Print; 1896-31-55
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6145-52788395
Copper engraving by Hieronymus Wierix, 1585, depicting Jonah's escape from God, showing the prophet being thrown into the sea with detailed figures and symbolic elements.
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6145-59241010
Flight from Jacobus II to Rochester and Paris, 1688-1691, 1691 print Sheet with four performances of the flight from Jacobus II to Rochester, crossing of the canal and departure from Boulogne to Paris, December 28, 1688 - January 2, 1689. Plate 6 in a series of 20 records about the Glorious Revolution in England in the years 1688 -1691. Northern Netherlands paper etching traffic and transport Rochester. Boulogne-sur-Mer
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6145-46348857
Jona predicts the downfall of Nineve; History of Jonah; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Jonah stands on a square in Nineve and predicts residents the fall of their city. People kneel of horror and repentance. Under the show an explanatory text in Latin. Print is part of an album.
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6145-52795942
Copper engraving and etching by Dirck Volkertszoon Coornhert depicting Isaac demonstrating patience, created after 1540.
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6145-52790061
Copper engraving by Hendrick Goltzius depicting the martyrdoms of St. Thomas and St. Paul, showing figures, gestures, and narrative elements, produced around 1578.
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6145-52801258
Etching by Antonio Tempesta depicting multiple hunting scenes, created between 1600 and 1620.
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6145-59577833
Departure of the Engel Rafaël, Anonymous, After Maerten de Vos, 1585 print The Engel Rafaël is familiar with Tobit, Anna, Tobias and Sara. They kneel on the floor. Tobit has returned home and is received on the left by his parents Tobit and Anna. Even further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. At the bottom of the margin an explanatory text in Latin. To Tobit 11-12. This print is part of an album. paper engraving the meeting of parents and son ~ Tobias' return. the healing of Tobit: Tobias puts the gall of the fish on his father's eyes. Sarah's arrival ~ Tobias' return. the angel Raphael disappears into the sky
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6145-52788259
Copper engraving published by Raphael Sadeler the Elder depicting Joseph thrown into the fountain and the finding of the baby Moses, created between 1580 and 1632, illustrating 16th- and 17th-century European religious art and biblical narratives.
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6145-52790494
Copper engraving by Zacharias Dolendo depicting multiple scenes from the life of Tobias, created in the first half of the 17th century.
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6145-46424698
Ninus van Nineve as the first king from the vision of Daniel; Of the four monarchs; Rise of four world riches and four rulers from the vision of Daniel; Den Grooten Figuer Bibel (...). Ninus, founder of Nineve and infamed by a horse, drives a flag in his hand with the image of a lion (Babylonia). The horse tramples king oxyartes from Bactri. A cityscape in the background. In addition to ninus, a lion with eagle wings emerged from the sea, a reference to a vision of Daniel about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text in. 7. This print is part of an album.
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6145-59481451
David beats the bear and the lion, 1643 print David grabs a bear with his bare hands, who attacks his herd. At his feet is a killed lion. Under the show a reference in Latin to the Bible text in 1 SAM. 17:34. This print is part of an album. Amsterdam paper engraving David kills a lion and a bear (or tells Saul about it)
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6145-45820573
Passion show in list of birds and shell; Passion shows in lists with animals.
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6145-52788734
Copper engraving and etching by Adriaen Collaert depicting the Last Judgement, created between 1560 and 1618.
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6145-45779084
Atrocities by King Jacobus II and Comte d'Avaux in Ireland, 1689; Wreetheyt Vande King James Ende Grave D Avaux Aende Irish Protestants; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. Atrises operated by the army under King Jacobus II and Comte d'Avaux to the Protestants in Ireland, 1689. Caught are hung in trees, in the background burning villages. Plate R in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French.
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6145-52877788
Copper engraving and etching by Claudine Bouzonnet-Stella from 1667 featuring pastoral scenes with figures in rural settings.
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6145-52799154
An etching by Angiolo Falconetto depicting a battle scene with a satyr interacting with a young woman and putti. Created between 1507 and 1567, combining mythological and martial elements.
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6145-52795923
Etching and copper engraving by Dirck Volkertszoon Coornhert depicting the story of Loth, produced between 1540 and 1580, illustrating biblical narrative and figures.
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6145-52785716
Copper engraving by Johann Sadeler the Elder from 1586 depicts the history of the family of Seth, emphasizing genealogical figures, biblical narrative, and period attire.
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6145-59439949
Orpheus in the underworld: the Element Vuur, Abraham van den Hecken, c. 1620 - 1655 print Orpheus with his winch for Pluto and his wife Prosperina in the Hades, with the Tartarus in the background with Sisyphus with a rock and Ixion on a burning wheel, as an allegory on the element of fire. On the right watering with burning torches. Print from a series of four. Low Countries paper etching / engraving fire (one of the four elements). Hades, the Underworld. Tartarus (and the condemned assigned there). Sisyphus pushing his boulder uphill or carrying it on his shoulders. Ixion on a burning wheel. Orpheus playing the lyre. Orpheus descending into Hades with his lyre in his hand
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4409-17372246
The Triumph of Time from The Triumphs of Petrarch. Artist: Attributed to Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda). Dimensions: Plate: 9 x 6 15/16 in. (22.8 x 17.6 cm)Sheet: 13 7/16 x 10 7/16 in. (34.1 x 26.5 cm). Date: ca. 1548-49. Museum: Metropolitan Museum of Art, New York, USA.
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6145-59563291
Rover en de Dood, Conrad Meyer, after Rudolph Meyer, 1650 print A Landrover attacks a group of travelers with its sword. Behind a tree is death with hourglass. In the background, death for a robber points to a wandered on an hourly with an hourglass on the branch where the dead is hanging. paper etching dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)
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Image Number: 6145-51380625Royalty FreeCredit Line:PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Historical Copper EngravingsModel Release:NoProperty Release:NoResolution:4096×3375