Prie-dieu 1855 Stammer & Breul The overall shape of this nearly nine-foot tall prayer bench or prie dieu with its towering spires, pointed arches, and slender clustered columns is based on medieval ecclesiastical architecture. As such it exemplifies the Gothic Revival style fashionable in Europe during the middle of the nineteenth century. Its surface decoration, however, consists of colorful wood micromosaic, a technique usually reserved for small objects. This ambitious piece was commissioned by the firm of Stammer & Breul to be shown at the 1855 Exposition Universelle in Paris.. Prie-dieu. Austrian, Vienna. 1855. Oak and pine veneered with rosewood, tulipwood, ebony and ebonized wood, and micromosaic decoration of various natural and stained woods; modern silk-velvet; coated brass. Woodwork-Furniture

Prie-dieu 1855 Stammer & Breul The overall shape of this nearly nine-foot tall prayer bench or prie dieu with its towering spires, pointed arches, and slender clustered columns is based on medieval ecclesiastical architecture. As such it exemplifies the Gothic Revival style fashionable in Europe during the middle of the nineteenth century. Its surface decoration, however, consists of colorful wood micromosaic, a technique usually reserved for small objects. This ambitious piece was commissioned by the firm of Stammer & Breul to be shown at the 1855 Exposition Universelle in Paris.. Prie-dieu. Austrian, Vienna. 1855. Oak and pine veneered with rosewood, tulipwood, ebony and ebonized wood, and micromosaic decoration of various natural and stained woods; modern silk-velvet; coated brass. Woodwork-Furniture
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Prie-dieu 1855 Stammer & Breul The overall shape of this nearly nine-foot tall prayer bench or prie dieu with its towering spires, pointed arches, and slender clustered columns is based on medieval ecclesiastical architecture. As such it exemplifies the Gothic Revival style fashionable in Europe during the middle of the nineteenth century. Its surface decoration, however, consists of colorful wood micromosaic, a technique usually reserved for small objects. This ambitious piece was commissioned by the firm of Stammer & Breul to be shown at the 1855 Exposition Universelle in Paris.. Prie-dieu. Austrian, Vienna. 1855. Oak and pine veneered with rosewood, tulipwood, ebony and ebonized wood, and micromosaic decoration of various natural and stained woods; modern silk-velvet; coated brass. Woodwork-Furniture by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29738515Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2552×3878
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