Portrait of an Old Man ca. 1475 Hans Memling Netherlandish This sympathetic portrayal of an elderly man once formed a diptych with a portrait of an old woman (Museum of Fine Arts, Houston). Unlike the portraits of Tommaso and Maria Portinari displayed nearby, the two pictures were not parts of a devotional painting but were created with the idea of preserving the appearances of the sitters as they neared the end of their lives, a function of portraiture that became increasingly popular in the sixteenth and seventeenth centuries.. Portrait of an Old Man. Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). ca. 1475. Oil on wood. Paintings

Portrait of an Old Man ca. 1475 Hans Memling Netherlandish This sympathetic portrayal of an elderly man once formed a diptych with a portrait of an old woman (Museum of Fine Arts, Houston). Unlike the portraits of Tommaso and Maria Portinari displayed nearby, the two pictures were not parts of a devotional painting but were created with the idea of preserving the appearances of the sitters as they neared the end of their lives, a function of portraiture that became increasingly popular in the sixteenth and seventeenth centuries.. Portrait of an Old Man. Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). ca. 1475. Oil on wood. Paintings
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