Plateau ca. 1750 French, Rouen This dish derives from the rimless shallow bowl of the Orient, a ceramic form that first became known in the sixteenth century to the Portuguese through Chinese porcelain examples made for the Arab market. It was meant for display rather than for practical use. The decoration is assembled from a variety of sources, unified by a subdued color scheme of yellow, blue and light red. At the center are Venus and Cupid flanked by bacchanalian satyrs, probably from two different engravings. Dots in the outlines of these figures indicate that a poncis”—a type of stenciled guide for the painter—was used. The central figure group in blue monochrome stands in reserve on a star-shaped yellow compartment filled with curling dark blue, seaweed-like foliage in the manner of André-Charles Boulle (1642-1732). Surrounding this in six shaped reserves of identical form and content, are naturalistic, asymmetrical arrangements of chrysanthemums and grasses in pale red and blue

Plateau ca. 1750 French, Rouen This dish derives from the rimless shallow bowl of the Orient, a ceramic form that first became known in the sixteenth century to the Portuguese through Chinese porcelain examples made for the Arab market. It was meant for display rather than for practical use. The decoration is assembled from a variety of sources, unified by a subdued color scheme of yellow, blue and light red. At the center are Venus and Cupid flanked by bacchanalian satyrs, probably from two different engravings. Dots in the outlines of these figures indicate that a poncis”—a type of stenciled guide for the painter—was used. The central figure group in blue monochrome stands in reserve on a star-shaped yellow compartment filled with curling dark blue, seaweed-like foliage in the manner of André-Charles Boulle (1642-1732). Surrounding this in six shaped reserves of identical form and content, are naturalistic, asymmetrical arrangements of chrysanthemums and grasses in pale red and blue
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Plateau ca. 1750 French, Rouen This dish derives from the rimless shallow bowl of the Orient, a ceramic form that first became known in the sixteenth century to the Portuguese through Chinese porcelain examples made for the Arab market. It was meant for display rather than for practical use. The decoration is assembled from a variety of sources, unified by a subdued color scheme of yellow, blue and light red. At the center are Venus and Cupid flanked by bacchanalian satyrs, probably from two different engravings. Dots in the outlines of these figures indicate that a poncis”—a type of stenciled guide for the painter—was used. The central figure group in blue monochrome stands in reserve on a star-shaped yellow compartment filled with curling dark blue, seaweed-like foliage in the manner of André-Charles Boulle (1642-1732). Surrounding this in six shaped reserves of identical form and content, are naturalistic, asymmetrical arrangements of chrysanthemums and grasses in pale red and blue by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29741784Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:759×700
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