Plate. Culture: British (London). Designer: William De Morgan (British, London 1839-1917 London). Dimensions: Diameter: 16 in. x Depth: 2 1/2 in. (40.6 x 6.4 cm). Manufacturer: Sands End Pottery (British). Date: ca. 1890-1907.Known for his "Persian style" blue and turquoise ceramics inspired by Iznik pottery, De Morgan produced glazes with richer, softer colors than his contemporaries. Particularly fond of dragons, he used them, dancing between stylized flowers, to anchor this design. Chief assistant Charles Passenger painted the ornament at Fulham in London, where De Morgan moved his works in 1889 to avoid the long daily commute to Merton Abbey. Museum: Metropolitan Museum of Art, New York, USA.

Brand: Album Archivo
SKU: 4409-17378242
Availability: InStock

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Plate. Culture: British (London). Designer: William De Morgan (British, London 1839-1917 London). Dimensions: Diameter: 16 in. x Depth: 2 1/2 in. (40.6 x 6.4 cm). Manufacturer: Sands End Pottery (British). Date: ca. 1890-1907.Known for his "Persian style" blue and turquoise ceramics inspired by Iznik pottery, De Morgan produced glazes with richer, softer colors than his contemporaries. Particularly fond of dragons, he used them, dancing between stylized flowers, to anchor this design. Chief assistant Charles Passenger painted the ornament at Fulham in London, where De Morgan moved his works in 1889 to avoid the long daily commute to Merton Abbey. Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Plate. Culture: British (London). Designer: William De Morgan (British, London 1839-1917 London). Dimensions: Diameter: 16 in. x Depth: 2 1/2 in. (40.6 x 6.4 cm). Manufacturer: Sands End Pottery (British). Date: ca. 1890-1907.Known for his "Persian style" blue and turquoise ceramics inspired by Iznik pottery, De Morgan produced glazes with richer, softer colors than his contemporaries. Particularly fond of dragons, he used them, dancing between stylized flowers, to anchor this design. Chief assistant Charles Passenger painted the ornament at Fulham in London, where De Morgan moved his works in 1889 to avoid the long daily commute to Merton Abbey. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.