Pieta model second quarter of the 16th century (19th century silvering) Style of Jacopo Sansovino (Jacopo Tatti) Italian The composition of this unique cast relies heavily on Michelangelos Pietà, whereas the classical face of Mary is clearly influenced by Jacopo Sansovinos Madonna del Parto (Martelli altar, ca. 1518, SantAgostino, Rome).(1) The unknown modeler, then, must have been situated in Rome in the second quarter of the sixteenth century. The empty and coarse background suggests that the plaque was cast from a damaged or unfinished model. The bronze has an unusually high content, about 30 percent, of nickel. The silvering was done in the nineteenth century by electrotype.. Pieta 460453

Brand: PL Photography Limited
SKU: 6145-29160378
Availability: InStock

Pieta model second quarter of the 16th century (19th century silvering) Style of Jacopo Sansovino (Jacopo Tatti) Italian The composition of this unique cast relies heavily on Michelangelos Pietà, whereas the classical face of Mary is clearly influenced by Jacopo Sansovinos Madonna del Parto (Martelli altar, ca. 1518, SantAgostino, Rome).(1) The unknown modeler, then, must have been situated in Rome in the second quarter of the sixteenth century. The empty and coarse background suggests that the plaque was cast from a damaged or unfinished model. The bronze has an unusually high content, about 30 percent, of nickel. The silvering was done in the nineteenth century by electrotype.. Pieta 460453

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Pieta model second quarter of the 16th century (19th century silvering) Style of Jacopo Sansovino (Jacopo Tatti) Italian The composition of this unique cast relies heavily on Michelangelos Pietà, whereas the classical face of Mary is clearly influenced by Jacopo Sansovinos Madonna del Parto (Martelli altar, ca. 1518, SantAgostino, Rome).(1) The unknown modeler, then, must have been situated in Rome in the second quarter of the sixteenth century. The empty and coarse background suggests that the plaque was cast from a damaged or unfinished model. The bronze has an unusually high content, about 30 percent, of nickel. The silvering was done in the nineteenth century by electrotype.. Pieta 460453 by Piemags/PL Photography Limited is available for licensing today.

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