Perspective view of the same candelabrum, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi, vol. II' (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments) 1778-80 Giovanni Battista Piranesi Italian This elaborate candelabrum, now in the Ashmolean Museum in Oxford, represents one of Piranesi's more creative "restorations." Produced during a period when Piranesi was collaborating with the Scottish painter Gavin Hamilton in the restoration and sale of antiquitiesmany uncovered in the excavations at Hadrian's Villa in Tivoliit combines a number of diverse ancient fragments to create a new work. More 'Piranesi' than ancient in its effect, this assemblage exemplifies the artist's belief in the freedom of designers to draw from a variety of sources to enrich their invention. A similarly fantastic candelabrum, now in the Louvre, formerly served as an ornament to Piranesi's own tomb. The handsome series of etchings after ancient vases, ca

Perspective view of the same candelabrum, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi, vol. II' (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments) 1778-80 Giovanni Battista Piranesi Italian This elaborate candelabrum, now in the Ashmolean Museum in Oxford, represents one of Piranesi's more creative "restorations." Produced during a period when Piranesi was collaborating with the Scottish painter Gavin Hamilton in the restoration and sale of antiquitiesmany uncovered in the excavations at Hadrian's Villa in Tivoliit combines a number of diverse ancient fragments to create a new work. More 'Piranesi' than ancient in its effect, this assemblage exemplifies the artist's belief in the freedom of designers to draw from a variety of sources to enrich their invention. A similarly fantastic candelabrum, now in the Louvre, formerly served as an ornament to Piranesi's own tomb. The handsome series of etchings after ancient vases, ca
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Perspective view of the same candelabrum, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi, vol. II' (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments) 1778-80 Giovanni Battista Piranesi Italian This elaborate candelabrum, now in the Ashmolean Museum in Oxford, represents one of Piranesi's more creative "restorations." Produced during a period when Piranesi was collaborating with the Scottish painter Gavin Hamilton in the restoration and sale of antiquitiesmany uncovered in the excavations at Hadrian's Villa in Tivoliit combines a number of diverse ancient fragments to create a new work. More 'Piranesi' than ancient in its effect, this assemblage exemplifies the artist's belief in the freedom of designers to draw from a variety of sources to enrich their invention. A similarly fantastic candelabrum, now in the Louvre, formerly served as an ornament to Piranesi's own tomb. The handsome series of etchings after ancient vases, ca by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29817295Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2486×3875
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