Pendant. Culture: American. Dimensions: 3/4 x 1 1/4 in. (1.9 x 3.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1891-1902."Although diamond jewelry was especially revered, late nineteenth-century Americans became increasingly interested in colored stones, both precious and semiprecious. The publication in 1890 of George Kunz's "Gems and Precious Stones of North America" heightened interest in such native American gems as tourmaline, opal, moonstone, and turquoise. By mounting an oval cabochon turquoise in a cage of yellow gold, Marcus & Company transformed a gemstone mined in Arizona into an imitation scarab, set with fiery demantoid garnet eyes. A gold loop at one end enabled the stone to be worn as a pendant."1Prior to establishing Marcus & Co with his sons in 1892, German immigrant Herman Marcus (1828 - 1899) was employed by the prestigious New York City firms Tiffany & Co. and Black, Starr & Frost, and for a time partnered with the jeweler Theodore B. Starr

Pendant. Culture: American. Dimensions: 3/4 x 1 1/4 in. (1.9 x 3.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1891-1902."Although diamond jewelry was especially revered, late nineteenth-century Americans became increasingly interested in colored stones, both precious and semiprecious. The publication in 1890 of George Kunz's "Gems and Precious Stones of North America" heightened interest in such native American gems as tourmaline, opal, moonstone, and turquoise. By mounting an oval cabochon turquoise in a cage of yellow gold, Marcus & Company transformed a gemstone mined in Arizona into an imitation scarab, set with fiery demantoid garnet eyes. A gold loop at one end enabled the stone to be worn as a pendant."1Prior to establishing Marcus & Co with his sons in 1892, German immigrant Herman Marcus (1828 - 1899) was employed by the prestigious New York City firms Tiffany & Co. and Black, Starr & Frost, and for a time partnered with the jeweler Theodore B. Starr
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Pendant. Culture: American. Dimensions: 3/4 x 1 1/4 in. (1.9 x 3.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1891-1902."Although diamond jewelry was especially revered, late nineteenth-century Americans became increasingly interested in colored stones, both precious and semiprecious. The publication in 1890 of George Kunz's "Gems and Precious Stones of North America" heightened interest in such native American gems as tourmaline, opal, moonstone, and turquoise. By mounting an oval cabochon turquoise in a cage of yellow gold, Marcus & Company transformed a gemstone mined in Arizona into an imitation scarab, set with fiery demantoid garnet eyes. A gold loop at one end enabled the stone to be worn as a pendant."1Prior to establishing Marcus & Co with his sons in 1892, German immigrant Herman Marcus (1828 - 1899) was employed by the prestigious New York City firms Tiffany & Co. and Black, Starr & Frost, and for a time partnered with the jeweler Theodore B. Starr by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17377686Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4311×3235
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