The Path through the Irises. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 78 7/8 x 70 7/8 in. (200.3 x 180 cm). Date: 1914-17.Irises, among Monet's favorite flowers, lined the pathways leading up to the house and Japanese bridge on the artist's property at Giverny. This bird's-eye view of a garden path belongs to a series of monumental works painted during the First World War that capture the vital essence of these flowers with intensity and breadth of vision. Late in life, as his eyesight faltered, he dispensed with subtlety and "took in the motif in large masses," waiting "until the idea took shape, until the arrangement and composition inscribed themselves on the brain.". Museum: Metropolitan Museum of Art, New York, USA.

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The Path through the Irises. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 78 7/8 x 70 7/8 in. (200.3 x 180 cm). Date: 1914-17.Irises, among Monet's favorite flowers, lined the pathways leading up to the house and Japanese bridge on the artist's property at Giverny. This bird's-eye view of a garden path belongs to a series of monumental works painted during the First World War that capture the vital essence of these flowers with intensity and breadth of vision. Late in life, as his eyesight faltered, he dispensed with subtlety and "took in the motif in large masses," waiting "until the idea took shape, until the arrangement and composition inscribed themselves on the brain.". Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Path through the Irises. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 78 7/8 x 70 7/8 in. (200.3 x 180 cm). Date: 1914-17.Irises, among Monet's favorite flowers, lined the pathways leading up to the house and Japanese bridge on the artist's property at Giverny. This bird's-eye view of a garden path belongs to a series of monumental works painted during the First World War that capture the vital essence of these flowers with intensity and breadth of vision. Late in life, as his eyesight faltered, he dispensed with subtlety and "took in the motif in large masses," waiting "until the idea took shape, until the arrangement and composition inscribed themselves on the brain.". Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.