Page from a Dispersed Bhagavata Purana Manuscript ca. 1620-30 India (Rajasthan, Mewar) In the central palace, Krishna (blue skinned) meets Akrura. At right, Balarama (white skinned) helps Krishna with his chariot and then Balarama appears again, at far right, wandering off the page; linking these last two scenes is a river. Two minor characters run to the far left in a frame that has been squeezed into the text itself. Early Mewari paintings are often compartmentalized, with each section framing a different place or moment in time. Often, color changes reinforce the temporal divisions, and text and image are tightly intermingled.. Page from a Dispersed Bhagavata Purana Manuscript. India (Rajasthan, Mewar). ca. 1620-30. Ink and opaque watercolor on paper. Paintings

Brand: PL Photography Limited
SKU: 6145-29818447
Availability: InStock

Page from a Dispersed Bhagavata Purana Manuscript ca. 1620-30 India (Rajasthan, Mewar) In the central palace, Krishna (blue skinned) meets Akrura. At right, Balarama (white skinned) helps Krishna with his chariot and then Balarama appears again, at far right, wandering off the page; linking these last two scenes is a river. Two minor characters run to the far left in a frame that has been squeezed into the text itself. Early Mewari paintings are often compartmentalized, with each section framing a different place or moment in time. Often, color changes reinforce the temporal divisions, and text and image are tightly intermingled.. Page from a Dispersed Bhagavata Purana Manuscript. India (Rajasthan, Mewar). ca. 1620-30. Ink and opaque watercolor on paper. Paintings

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Page from a Dispersed Bhagavata Purana Manuscript ca. 1620-30 India (Rajasthan, Mewar) In the central palace, Krishna (blue skinned) meets Akrura. At right, Balarama (white skinned) helps Krishna with his chariot and then Balarama appears again, at far right, wandering off the page; linking these last two scenes is a river. Two minor characters run to the far left in a frame that has been squeezed into the text itself. Early Mewari paintings are often compartmentalized, with each section framing a different place or moment in time. Often, color changes reinforce the temporal divisions, and text and image are tightly intermingled.. Page from a Dispersed Bhagavata Purana Manuscript. India (Rajasthan, Mewar). ca. 1620-30. Ink and opaque watercolor on paper. Paintings by Piemags/PL Photography Limited is available for licensing today.

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