Otoe-Missouria Delegation 1881 Attributed to John K. Hillers The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record.After the end of the Civil War, the locus for most so-called "Indian" photographs moved east to Washington, D.C., where the United States government invited hundreds of Native American delegations for official state visits in an ongoing effort to seek peace, negotiate treaties, and acquire tribal land. Delegation photography was a routine part of any state visit, and many portrait studios, including that of Bell, profited from the business. For centuries the Otoe had lived near the mouth of the Platte River in Nebraska, but by 1881 the Department of Indian Affairs ha

Otoe-Missouria Delegation 1881 Attributed to John K. Hillers The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record.After the end of the Civil War, the locus for most so-called "Indian" photographs moved east to Washington, D.C., where the United States government invited hundreds of Native American delegations for official state visits in an ongoing effort to seek peace, negotiate treaties, and acquire tribal land. Delegation photography was a routine part of any state visit, and many portrait studios, including that of Bell, profited from the business. For centuries the Otoe had lived near the mouth of the Platte River in Nebraska, but by 1881 the Department of Indian Affairs ha
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Otoe-Missouria Delegation 1881 Attributed to John K. Hillers The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record.After the end of the Civil War, the locus for most so-called "Indian" photographs moved east to Washington, D.C., where the United States government invited hundreds of Native American delegations for official state visits in an ongoing effort to seek peace, negotiate treaties, and acquire tribal land. Delegation photography was a routine part of any state visit, and many portrait studios, including that of Bell, profited from the business. For centuries the Otoe had lived near the mouth of the Platte River in Nebraska, but by 1881 the Department of Indian Affairs ha by Piemags/PL Photography Limited is available for licensing today.
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