Murasaki Shikibu, c. 1843-1846, Utagawa Hiroshige; Publisher: Enshūya Matabei, Japanese, 1797 - 1858, 6 3/4 × 10 7/8 in. (17.1 × 27.6 cm) (image, sheet, uchiwa-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, This print is part of a series featuring the so-called Thirty-Six Immortal Poetesses, a celebrated group of ancient women poets that includes Murasaki Shikibu, the author of The Tale of Genji. The red cartouche at upper right includes one of her poems, which reads, 'Ever since the evening / my dear friend / turned to smoke, / even the name of Shiogama Bay / brings back memories.' In this poem, Murasaki draws a link between the cremation of a friend and the smoke that hangs over the famous northeastern salt-making town of Shiogama. For this print, Utagawa Hiroshige reimagined the typical depiction of Murasaki on a temple veranda overlooking Lake Biwa (where she is said to have begun writing The Tale of Genji), replacing Lake Biwa with a scene of smoke r

Murasaki Shikibu, c. 1843-1846, Utagawa Hiroshige; Publisher: Enshūya Matabei, Japanese, 1797 - 1858, 6 3/4 × 10 7/8 in. (17.1 × 27.6 cm) (image, sheet, uchiwa-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, This print is part of a series featuring the so-called Thirty-Six Immortal Poetesses, a celebrated group of ancient women poets that includes Murasaki Shikibu, the author of The Tale of Genji. The red cartouche at upper right includes one of her poems, which reads, 'Ever since the evening / my dear friend / turned to smoke, / even the name of Shiogama Bay / brings back memories.' In this poem, Murasaki draws a link between the cremation of a friend and the smoke that hangs over the famous northeastern salt-making town of Shiogama. For this print, Utagawa Hiroshige reimagined the typical depiction of Murasaki on a temple veranda overlooking Lake Biwa (where she is said to have begun writing The Tale of Genji), replacing Lake Biwa with a scene of smoke r
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Murasaki Shikibu, c. 1843-1846, Utagawa Hiroshige; Publisher: Enshūya Matabei, Japanese, 1797 - 1858, 6 3/4 × 10 7/8 in. (17.1 × 27.6 cm) (image, sheet, uchiwa-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, This print is part of a series featuring the so-called Thirty-Six Immortal Poetesses, a celebrated group of ancient women poets that includes Murasaki Shikibu, the author of The Tale of Genji. The red cartouche at upper right includes one of her poems, which reads, 'Ever since the evening / my dear friend / turned to smoke, / even the name of Shiogama Bay / brings back memories.' In this poem, Murasaki draws a link between the cremation of a friend and the smoke that hangs over the famous northeastern salt-making town of Shiogama. For this print, Utagawa Hiroshige reimagined the typical depiction of Murasaki on a temple veranda overlooking Lake Biwa (where she is said to have begun writing The Tale of Genji), replacing Lake Biwa with a scene of smoke r by Artokoloro is available for licensing today.
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Image Number: 4443-28740246Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:4302×2685
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