Mont Sainte-Victoire and the Viaduct of the Arc River Valley. Artist: Paul Cézanne (French, Aix-en-Provence 1839-1906 Aix-en-Provence). Dimensions: 25 3/4 x 32 1/8 in. (65.4 x 81.6 cm). Date: 1882-85.The distinctive silhouette of Mont Saint-Victoire rises above the Arc River valley near the town of Aix. To paint this scene, Cézanne stood close to Montbriand, his sister's property, at the top of the hill just behind her house; the wall of the neighboring farmhouse is barely visible. Cézanne sought to reveal the inner geometry of nature, "to make of Impressionism something solid and durable, like the art of museums." Indeed the railroad viaduct that cuts throught this pastoral scene is evocative of a Roman aqueduct, recalling paintings by Nicolas Poussin. Museum: Metropolitan Museum of Art, New York, USA.

Brand: Album Archivo
SKU: 4409-17433003
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Mont Sainte-Victoire and the Viaduct of the Arc River Valley. Artist: Paul Cézanne (French, Aix-en-Provence 1839-1906 Aix-en-Provence). Dimensions: 25 3/4 x 32 1/8 in. (65.4 x 81.6 cm). Date: 1882-85.The distinctive silhouette of Mont Saint-Victoire rises above the Arc River valley near the town of Aix. To paint this scene, Cézanne stood close to Montbriand, his sister's property, at the top of the hill just behind her house; the wall of the neighboring farmhouse is barely visible. Cézanne sought to reveal the inner geometry of nature, "to make of Impressionism something solid and durable, like the art of museums." Indeed the railroad viaduct that cuts throught this pastoral scene is evocative of a Roman aqueduct, recalling paintings by Nicolas Poussin. Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Mont Sainte-Victoire and the Viaduct of the Arc River Valley. Artist: Paul Cézanne (French, Aix-en-Provence 1839-1906 Aix-en-Provence). Dimensions: 25 3/4 x 32 1/8 in. (65.4 x 81.6 cm). Date: 1882-85.The distinctive silhouette of Mont Saint-Victoire rises above the Arc River valley near the town of Aix. To paint this scene, Cézanne stood close to Montbriand, his sister's property, at the top of the hill just behind her house; the wall of the neighboring farmhouse is barely visible. Cézanne sought to reveal the inner geometry of nature, "to make of Impressionism something solid and durable, like the art of museums." Indeed the railroad viaduct that cuts throught this pastoral scene is evocative of a Roman aqueduct, recalling paintings by Nicolas Poussin. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.