Martyrdom of St. Lawrence. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Sheet: 19 13/16 x 13 3/4 in. (50.3 x 34.9 cm). Date: 1571.One of the most famed printmakers of his day, Cornelis Cort was admired for his ability to translate tonal qualities into a black and white engraving. Cort accomplished this in part through an important technical innovation: It is the nature of an engraved line, cut as it is with a tool (the burin) whose cutting edge comes to a sharp triangular point, to begin as a point, swell almost imperceptibly at the center, and narrow to a point again at the end. Cort exploited this quality of the burin line; by varying his pressure on the tool as he gouged the plate, he developed a flexible line that becomes thicker and thinner along its length, creating various degrees of darkness without adding additional lines.In the first half of the sixteenth centur

Martyrdom of St. Lawrence. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Sheet: 19 13/16 x 13 3/4 in. (50.3 x 34.9 cm). Date: 1571.One of the most famed printmakers of his day, Cornelis Cort was admired for his ability to translate tonal qualities into a black and white engraving. Cort accomplished this in part through an important technical innovation: It is the nature of an engraved line, cut as it is with a tool (the burin) whose cutting edge comes to a sharp triangular point, to begin as a point, swell almost imperceptibly at the center, and narrow to a point again at the end. Cort exploited this quality of the burin line; by varying his pressure on the tool as he gouged the plate, he developed a flexible line that becomes thicker and thinner along its length, creating various degrees of darkness without adding additional lines.In the first half of the sixteenth centur
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Martyrdom of St. Lawrence. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Sheet: 19 13/16 x 13 3/4 in. (50.3 x 34.9 cm). Date: 1571.One of the most famed printmakers of his day, Cornelis Cort was admired for his ability to translate tonal qualities into a black and white engraving. Cort accomplished this in part through an important technical innovation: It is the nature of an engraved line, cut as it is with a tool (the burin) whose cutting edge comes to a sharp triangular point, to begin as a point, swell almost imperceptibly at the center, and narrow to a point again at the end. Cort exploited this quality of the burin line; by varying his pressure on the tool as he gouged the plate, he developed a flexible line that becomes thicker and thinner along its length, creating various degrees of darkness without adding additional lines.In the first half of the sixteenth centur by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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DETAILS
Image Number: 4409-17373876Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2883×4025
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