Marius Petipa brought the choreography 'LA BAYADERE' to the stage in St Petersburg in 1877. Fortunately, the notations of the original have been preserved so that choreographers today can give us a reliable picture of his ideas. In this production, the choreographer Alexei Ratmansky did so to music by Ludwig Minkus and with the help of Jerome Kaplan for the set and costumes. In colonial-influenced images of a fantastic India of temples and palaces, the story is told of a love that is not befitting her station: the bayadere Nikia an Indian temple dancer loves the warrior Solor, who in turn is promised to Gamsatti, the daughter of the powerful Rajah, as her husband. According to the laws of drama, this union can only end unhappily in the 'Kingdom of Shadows'. Colourful, opulent and, as one might say today, diverse, this ballet is a feast for the eyes. At the Staatsballett Berlin. In the main

Marius Petipa brought the choreography 'LA BAYADERE' to the stage in St Petersburg in 1877. Fortunately, the notations of the original have been preserved so that choreographers today can give us a reliable picture of his ideas. In this production, the choreographer Alexei Ratmansky did so to music by Ludwig Minkus and with the help of Jerome Kaplan for the set and costumes. In colonial-influenced images of a fantastic India of temples and palaces, the story is told of a love that is not befitting her station: the bayadere Nikia  an Indian temple dancer  loves the warrior Solor, who in turn is promised to Gamsatti, the daughter of the powerful Rajah, as her husband. According to the laws of drama, this union can only end unhappily  in the 'Kingdom of Shadows'. Colourful, opulent and, as one might say today, diverse, this ballet is a feast for the eyes. At the Staatsballett Berlin. In the main
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Marius Petipa brought the choreography 'LA BAYADERE' to the stage in St Petersburg in 1877. Fortunately, the notations of the original have been preserved so that choreographers today can give us a reliable picture of his ideas. In this production, the choreographer Alexei Ratmansky did so to music by Ludwig Minkus and with the help of Jerome Kaplan for the set and costumes. In colonial-influenced images of a fantastic India of temples and palaces, the story is told of a love that is not befitting her station: the bayadere Nikia an Indian temple dancer loves the warrior Solor, who in turn is promised to Gamsatti, the daughter of the powerful Rajah, as her husband. According to the laws of drama, this union can only end unhappily in the 'Kingdom of Shadows'. Colourful, opulent and, as one might say today, diverse, this ballet is a feast for the eyes. At the Staatsballett Berlin. In the main by Axel Lauer/imageBROKER is available for licensing today.
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