Marble grave stele of Antigenes. Culture: Greek, Attic. Dimensions: Other (height reconstructed): 88 1/2 x 25 x 20 in. (224.8 x 63.5 x 50.8 cm). Date: end of the 6th century B.C..Attic grave monuments of the end of the sixth century B.C. tend to be simpler than their earlier counterparts. In particular, the sculpted finials in the form of sphinxes are replaced by palmettes that are integral with the shaft. The figures, moreover, may be painted instead of carved in relief. It is enlightening to compare a representation such as this with contemporary vase-painting. The light figure against a darker background is comparable to the red-figure technique in pottery. Indeed, the influence of painted sculpture has been adduced in precipitating the change from black-figure to red-figure. Museum: Metropolitan Museum of Art, New York, USA.

Marble grave stele of Antigenes. Culture: Greek, Attic. Dimensions: Other (height reconstructed): 88 1/2 x 25 x 20 in. (224.8 x 63.5 x 50.8 cm). Date: end of the 6th century B.C..Attic grave monuments of the end of the sixth century B.C. tend to be simpler than their earlier counterparts. In particular, the sculpted finials in the form of sphinxes are replaced by palmettes that are integral with the shaft. The figures, moreover, may be painted instead of carved in relief. It is enlightening to compare a representation such as this with contemporary vase-painting. The light figure against a darker background is comparable to the red-figure technique in pottery. Indeed, the influence of painted sculpture has been adduced in precipitating the change from black-figure to red-figure. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Marble grave stele of Antigenes. Culture: Greek, Attic. Dimensions: Other (height reconstructed): 88 1/2 x 25 x 20 in. (224.8 x 63.5 x 50.8 cm). Date: end of the 6th century B.C..Attic grave monuments of the end of the sixth century B.C. tend to be simpler than their earlier counterparts. In particular, the sculpted finials in the form of sphinxes are replaced by palmettes that are integral with the shaft. The figures, moreover, may be painted instead of carved in relief. It is enlightening to compare a representation such as this with contemporary vase-painting. The light figure against a darker background is comparable to the red-figure technique in pottery. Indeed, the influence of painted sculpture has been adduced in precipitating the change from black-figure to red-figure. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17352712Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2364×4519
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