Man on a Bridge dated 1889 Ren Yi (Ren Bonian) Chinese Ren Yi, like his contemporary and friend Xugu (1823-1896), experimented with the realistic rendering of natural scenery instead of producing traditional landscapes composed of conventional compositions and brushstroke formulas. Here, he used irregular patches of wash and hatching to convey the impression of naked branches. Ren approached the picture as a Western artist sketching nature might have, asking "How can I render what I see" rather than attempting to imitate Western art.Photographs, regularly published in newspapers and magazines in Shanghai as early as the 1870s, shattered traditional Chinese concepts of picture making and had more to do with changing attitudes in landscape painting in the late nineteenth century than any direct influence of Western art.. Man on a Bridge 49462

Brand: PL Photography Limited
SKU: 6145-29826236
Availability: InStock

Man on a Bridge dated 1889 Ren Yi (Ren Bonian) Chinese Ren Yi, like his contemporary and friend Xugu (1823-1896), experimented with the realistic rendering of natural scenery instead of producing traditional landscapes composed of conventional compositions and brushstroke formulas. Here, he used irregular patches of wash and hatching to convey the impression of naked branches. Ren approached the picture as a Western artist sketching nature might have, asking "How can I render what I see" rather than attempting to imitate Western art.Photographs, regularly published in newspapers and magazines in Shanghai as early as the 1870s, shattered traditional Chinese concepts of picture making and had more to do with changing attitudes in landscape painting in the late nineteenth century than any direct influence of Western art.. Man on a Bridge 49462

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Man on a Bridge dated 1889 Ren Yi (Ren Bonian) Chinese Ren Yi, like his contemporary and friend Xugu (1823-1896), experimented with the realistic rendering of natural scenery instead of producing traditional landscapes composed of conventional compositions and brushstroke formulas. Here, he used irregular patches of wash and hatching to convey the impression of naked branches. Ren approached the picture as a Western artist sketching nature might have, asking "How can I render what I see" rather than attempting to imitate Western art.Photographs, regularly published in newspapers and magazines in Shanghai as early as the 1870s, shattered traditional Chinese concepts of picture making and had more to do with changing attitudes in landscape painting in the late nineteenth century than any direct influence of Western art.. Man on a Bridge 49462 by Piemags/PL Photography Limited is available for licensing today.

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