The Magdalene Before Her Conversion (Madeleine avant sa conversion ) James Tissot (French, 1836-1902). The Magdalene Before Her Conversion (Madeleine avant sa conversion ), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/16 x 5 1/2 in. (28.1 x 14 cm). Apart from Jesus, Mary Magdalene is the only individual in Tissots series accorded more than one study, or portrait—an exception that announces her importance, not only to the narrative itself but also to the artist. As scholars have suggested, Tissot appears to have modeled the Magdalenes features after his late mistress, Mrs. Kathleen Newton, who had died of tuberculosis in 1882. Like many in the nineteenth century, the painter was particularly interested in the occult, and he had attended séances in hopes of establishing contact with the spirit of his deceased beloved. In the image depicting her before her conversion, Mary Magdalene appears dressed in a colorful striped garment and adorned with jewels, her

The Magdalene Before Her Conversion (Madeleine avant sa conversion ) James Tissot (French, 1836-1902). The Magdalene Before Her Conversion (Madeleine avant sa conversion ), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/16 x 5 1/2 in. (28.1 x 14 cm).  Apart from Jesus, Mary Magdalene is the only individual in Tissots series accorded more than one study, or portrait—an exception that announces her importance, not only to the narrative itself but also to the artist. As scholars have suggested, Tissot appears to have modeled the Magdalenes features after his late mistress, Mrs. Kathleen Newton, who had died of tuberculosis in 1882. Like many in the nineteenth century, the painter was particularly interested in the occult, and he had attended séances in hopes of establishing contact with the spirit of his deceased beloved. In the image depicting her before her conversion, Mary Magdalene appears dressed in a colorful striped garment and adorned with jewels, her
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Magdalene Before Her Conversion (Madeleine avant sa conversion ) James Tissot (French, 1836-1902). The Magdalene Before Her Conversion (Madeleine avant sa conversion ), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/16 x 5 1/2 in. (28.1 x 14 cm). Apart from Jesus, Mary Magdalene is the only individual in Tissots series accorded more than one study, or portrait—an exception that announces her importance, not only to the narrative itself but also to the artist. As scholars have suggested, Tissot appears to have modeled the Magdalenes features after his late mistress, Mrs. Kathleen Newton, who had died of tuberculosis in 1882. Like many in the nineteenth century, the painter was particularly interested in the occult, and he had attended séances in hopes of establishing contact with the spirit of his deceased beloved. In the image depicting her before her conversion, Mary Magdalene appears dressed in a colorful striped garment and adorned with jewels, her by piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-51827711Royalty FreeCredit Line:piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Dramatic Historical ScenesContributor:piemagsModel Release:NoProperty Release:NoResolution:823×1536