Madonna and Child with Saints and Donors. Artist: Attributed to Sebastiano del Piombo (Italian, Venice () 1485/86-1547 Rome). Dimensions: Overall 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm); painted surface 26 x 39 3/4 in. (66 x 101 cm).This fine painting, with its rich colors and the soft, tonal modeling of the flesh tones, was most likely painted by the young Sebastiano del Piombo. A contemporary of Titian and almost his equal in talent, Sebastiano was an important presence in Venice before his departure for Rome in 1510. If this painting is by him it must be one of his earliest, as the composition is slightly awkward, and although many details are close to those of his later, certain works, it lacks their sophistication. Museum: Metropolitan Museum of Art, New York, USA. Author: Attributed to Sebastiano del Piombo.

Madonna and Child with Saints and Donors. Artist: Attributed to Sebastiano del Piombo (Italian, Venice () 1485/86-1547 Rome). Dimensions: Overall 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm); painted surface 26 x 39 3/4 in. (66 x 101 cm).This fine painting, with its rich colors and the soft, tonal modeling of the flesh tones, was most likely painted by the young Sebastiano del Piombo. A contemporary of Titian and almost his equal in talent, Sebastiano was an important presence in Venice before his departure for Rome in 1510. If this painting is by him it must be one of his earliest, as the composition is slightly awkward, and although many details are close to those of his later, certain works, it lacks their sophistication. Museum: Metropolitan Museum of Art, New York, USA. Author: Attributed to Sebastiano del Piombo.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Madonna and Child with Saints and Donors. Artist: Attributed to Sebastiano del Piombo (Italian, Venice () 1485/86-1547 Rome). Dimensions: Overall 26 1/2 x 40 1/2 in. (67.3 x 102.9 cm); painted surface 26 x 39 3/4 in. (66 x 101 cm).This fine painting, with its rich colors and the soft, tonal modeling of the flesh tones, was most likely painted by the young Sebastiano del Piombo. A contemporary of Titian and almost his equal in talent, Sebastiano was an important presence in Venice before his departure for Rome in 1510. If this painting is by him it must be one of his earliest, as the composition is slightly awkward, and although many details are close to those of his later, certain works, it lacks their sophistication. Museum: Metropolitan Museum of Art, New York, USA. Author: Attributed to Sebastiano del Piombo. by Album/Album Archivo is available for licensing today.
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Image Number: 4409-17384214Rights ManagedCredit Line:Album/Album Archivo/SuperStockCollection:Album ArchivoContributor:AlbumModel Release:NoProperty Release:NoResolution:4192×2787
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