Madonna and Child with Donors ca. 1365 Giovanni da Milano Italian Although from Milan, Giovanni was primarily active in Florence, where the refined naturalism of his figures was influential. This lunette-shaped picture dates from the 1360s and was probably set into an arch above a tomb. It shows the deceased husband and wife welcomed into heaven by the Christ Child. Two realms overlap: the sacred and the temporal, making the illusionistic ledge, the disparity in figure scale, and the clasped hands resonate with meaning. The surface is badly abraded, but the head and right hand of the Madonna give a good idea of the subtlety of Giovannis painting.. Madonna and Child with Donors. Giovanni da Milano (Italian, born Lombardy, active Florence 1346-69). ca. 1365. Tempera on wood, gold ground. Paintings

Brand: PL Photography Limited
SKU: 6145-29201585
Availability: InStock

Madonna and Child with Donors ca. 1365 Giovanni da Milano Italian Although from Milan, Giovanni was primarily active in Florence, where the refined naturalism of his figures was influential. This lunette-shaped picture dates from the 1360s and was probably set into an arch above a tomb. It shows the deceased husband and wife welcomed into heaven by the Christ Child. Two realms overlap: the sacred and the temporal, making the illusionistic ledge, the disparity in figure scale, and the clasped hands resonate with meaning. The surface is badly abraded, but the head and right hand of the Madonna give a good idea of the subtlety of Giovannis painting.. Madonna and Child with Donors. Giovanni da Milano (Italian, born Lombardy, active Florence 1346-69). ca. 1365. Tempera on wood, gold ground. Paintings

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Madonna and Child with Donors ca. 1365 Giovanni da Milano Italian Although from Milan, Giovanni was primarily active in Florence, where the refined naturalism of his figures was influential. This lunette-shaped picture dates from the 1360s and was probably set into an arch above a tomb. It shows the deceased husband and wife welcomed into heaven by the Christ Child. Two realms overlap: the sacred and the temporal, making the illusionistic ledge, the disparity in figure scale, and the clasped hands resonate with meaning. The surface is badly abraded, but the head and right hand of the Madonna give a good idea of the subtlety of Giovannis painting.. Madonna and Child with Donors. Giovanni da Milano (Italian, born Lombardy, active Florence 1346-69). ca. 1365. Tempera on wood, gold ground. Paintings by Piemags/PL Photography Limited is available for licensing today.

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