Madonna and Child ca. 1470 Giovanni Bellini Italian This early work by the Venetian painter, Giovanni Bellini, reveals the profound influence of his brother-in-law, the Paduan master Andrea Mantegna, both in the figure types and the inclusion of the garland. The treatment of the landscape and the use of the oil medium, with which Giovanni may have been experimenting since the 1460s, were likely inspired by Netherlandish painting. Bellini creates a dramatic connection between the worshipper and subject through the Virgins left hand, extending across the parapet, and her fingertip, which reaches into the viewers space. The gourds in the garland and at the left of the parapet symbolize the Resurrection; the fruit at right might be a cherry, signifying the Eucharist, or an apple, evoking the Fall.. Madonna and Child 459023

Madonna and Child ca. 1470 Giovanni Bellini Italian This early work by the Venetian painter, Giovanni Bellini, reveals the profound influence of his brother-in-law, the Paduan master Andrea Mantegna, both in the figure types and the inclusion of the garland. The treatment of the landscape and the use of the oil medium, with which Giovanni may have been experimenting since the 1460s, were likely inspired by Netherlandish painting. Bellini creates a dramatic connection between the worshipper and subject through the Virgins left hand, extending across the parapet, and her fingertip, which reaches into the viewers space. The gourds in the garland and at the left of the parapet symbolize the Resurrection; the fruit at right might be a cherry, signifying the Eucharist, or an apple, evoking the Fall.. Madonna and Child 459023
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Madonna and Child ca. 1470 Giovanni Bellini Italian This early work by the Venetian painter, Giovanni Bellini, reveals the profound influence of his brother-in-law, the Paduan master Andrea Mantegna, both in the figure types and the inclusion of the garland. The treatment of the landscape and the use of the oil medium, with which Giovanni may have been experimenting since the 1460s, were likely inspired by Netherlandish painting. Bellini creates a dramatic connection between the worshipper and subject through the Virgins left hand, extending across the parapet, and her fingertip, which reaches into the viewers space. The gourds in the garland and at the left of the parapet symbolize the Resurrection; the fruit at right might be a cherry, signifying the Eucharist, or an apple, evoking the Fall.. Madonna and Child 459023 by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29826274Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2833×3722
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