Madonna and Child. Artist: Carlo Crivelli (Italian, Venice (), active by 1457-died 1495 Ascoli Piceno). Dimensions: Overall 14 7/8 x 10 in. (37.8 x 25.4 cm); painted surface 14 3/8 x 9 1/4 in. (36.5 x 23.5 cm). Date: ca. 1480.This perfectly preserved work is one of the artist's most exquisite pictures. Flemish painting may have inspired the remarkable precision of detail in the background, where turbaned figures (infidels) stroll. Trompe-l'oeil details are played against the doll-like prettiness of the Virgin. The apples and fly are symbols of sin and evil and are opposed to the cucumber and the goldfinch, symbols of redemption. Crivelli's signature is on what looks like a piece of paper attached to the watered-silk cloth with wax. Museum: Metropolitan Museum of Art, New York, USA.

Madonna and Child. Artist: Carlo Crivelli (Italian, Venice (), active by 1457-died 1495 Ascoli Piceno). Dimensions: Overall 14 7/8 x 10 in. (37.8 x 25.4 cm); painted surface 14 3/8 x 9 1/4 in. (36.5 x 23.5 cm). Date: ca. 1480.This perfectly preserved work is one of the artist's most exquisite pictures. Flemish painting may have inspired the remarkable precision of detail in the background, where turbaned figures (infidels) stroll. Trompe-l'oeil details are played against the doll-like prettiness of the Virgin. The apples and fly are symbols of sin and evil and are opposed to the cucumber and the goldfinch, symbols of redemption. Crivelli's signature is on what looks like a piece of paper attached to the watered-silk cloth with wax. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Madonna and Child. Artist: Carlo Crivelli (Italian, Venice (), active by 1457-died 1495 Ascoli Piceno). Dimensions: Overall 14 7/8 x 10 in. (37.8 x 25.4 cm); painted surface 14 3/8 x 9 1/4 in. (36.5 x 23.5 cm). Date: ca. 1480.This perfectly preserved work is one of the artist's most exquisite pictures. Flemish painting may have inspired the remarkable precision of detail in the background, where turbaned figures (infidels) stroll. Trompe-l'oeil details are played against the doll-like prettiness of the Virgin. The apples and fly are symbols of sin and evil and are opposed to the cucumber and the goldfinch, symbols of redemption. Crivelli's signature is on what looks like a piece of paper attached to the watered-silk cloth with wax. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.
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Image Number: 4409-17431297Rights ManagedCredit Line:Album/Album Archivo/SuperStockCollection:Contributor:Model Release:NoProperty Release:NoResolution:2750×4094
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