Liu Chen and Ruan Zhao Entering the Tiantai Mountains Zhao Cangyun Chinese Painted by a member of the Song royal family who lived through the Mongol conquest, this handscroll, which revives the monochrome drawing style of the scholar-artist Li Gonglin (ca. 1041-1106), chronicles the legend of two men of the Han dynasty who stumble upon a magical realm of immortals. Returning home after what seemed like half a year, they discover that seven generations have come and gone and that they are alone in the world. The mens loss of home and paradise evokes the disorientation and alienation felt by many of the Chinese elite following the fall of the Song dynasty in 1279. What little we know of the artist is contained in the colophons mounted after the painting. The first, by Hua Youwu (1307-after 1386), describes Zhao Cangyun as an artist known for “boneless” (without outlines) ink-wash landscapes and delicate figure paintings. Hua also states that the artist was more famous in his youth than

Liu Chen and Ruan Zhao Entering the Tiantai Mountains Zhao Cangyun Chinese Painted by a member of the Song royal family who lived through the Mongol conquest, this handscroll, which revives the monochrome drawing style of the scholar-artist Li Gonglin (ca. 1041-1106), chronicles the legend of two men of the Han dynasty who stumble upon a magical realm of immortals. Returning home after what seemed like half a year, they discover that seven generations have come and gone and that they are alone in the world. The mens loss of home and paradise evokes the disorientation and alienation felt by many of the Chinese elite following the fall of the Song dynasty in 1279. What little we know of the artist is contained in the colophons mounted after the painting. The first, by Hua Youwu (1307-after 1386), describes Zhao Cangyun as an artist known for “boneless” (without outlines) ink-wash landscapes and delicate figure paintings. Hua also states that the artist was more famous in his youth than
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Liu Chen and Ruan Zhao Entering the Tiantai Mountains Zhao Cangyun Chinese Painted by a member of the Song royal family who lived through the Mongol conquest, this handscroll, which revives the monochrome drawing style of the scholar-artist Li Gonglin (ca. 1041-1106), chronicles the legend of two men of the Han dynasty who stumble upon a magical realm of immortals. Returning home after what seemed like half a year, they discover that seven generations have come and gone and that they are alone in the world. The mens loss of home and paradise evokes the disorientation and alienation felt by many of the Chinese elite following the fall of the Song dynasty in 1279. What little we know of the artist is contained in the colophons mounted after the painting. The first, by Hua Youwu (1307-after 1386), describes Zhao Cangyun as an artist known for “boneless” (without outlines) ink-wash landscapes and delicate figure paintings. Hua also states that the artist was more famous in his youth than by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29162705Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3040×1447
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