Lions in a Mountainous Landscape ca. 1818-20 Théodore Gericault French This vigorous painting of six lions in a remote, spectrally illuminated lairpossibly intended to evoke the Atlas Mountains of Moroccois an extraordinary example of Gericault’s spontaneous handling of paint. Rather than applying finishing touches to make a polished cabinet picture, the artist left the painting in a state known as an esquisse, or sketch, a work prized by fellow artists for its strength of directly capturing a subject or effect. Until its acquisition by the Museum, the composition was known only by means of a replica (Musée du Louvre, Paris), which is thought to have been painted by an artist in Gericault’s circle. Listen to experts illuminate this artwork's story Listen Play or pause #6011. Lions in a Mountainous Landscape Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Lio

Lions in a Mountainous Landscape ca. 1818-20 Théodore Gericault French This vigorous painting of six lions in a remote, spectrally illuminated lairpossibly intended to evoke the Atlas Mountains of Moroccois an extraordinary example of Gericault’s spontaneous handling of paint. Rather than applying finishing touches to make a polished cabinet picture, the artist left the painting in a state known as an esquisse, or sketch, a work prized by fellow artists for its strength of directly capturing a subject or effect. Until its acquisition by the Museum, the composition was known only by means of a replica (Musée du Louvre, Paris), which is thought to have been painted by an artist in Gericault’s circle. Listen to experts illuminate this artwork's story Listen Play or pause #6011. Lions in a Mountainous Landscape Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Lio
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Lions in a Mountainous Landscape ca. 1818-20 Théodore Gericault French This vigorous painting of six lions in a remote, spectrally illuminated lairpossibly intended to evoke the Atlas Mountains of Moroccois an extraordinary example of Gericault’s spontaneous handling of paint. Rather than applying finishing touches to make a polished cabinet picture, the artist left the painting in a state known as an esquisse, or sketch, a work prized by fellow artists for its strength of directly capturing a subject or effect. Until its acquisition by the Museum, the composition was known only by means of a replica (Musée du Louvre, Paris), which is thought to have been painted by an artist in Gericault’s circle. Listen to experts illuminate this artwork's story Listen Play or pause #6011. Lions in a Mountainous Landscape Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Lio by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low500 X 415
  • $150.00 Med1953 X 1622
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$560.00
RF Medium Res 5 Pack
Save $190.00
$112.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29793279Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:1953×1622
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|