A Lioness and a Caricature of Ingres. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 5/16 x 9 13/16 in. (18.6 x 24.9 cm). Date: 1850s.Like many young artists of his day, Delacroix occasionally took up assignments to supply Parisian journals with caricatures that called for the comical distortion of figures' features or stance. By around 1820, such elements of exaggeration seem to have infiltrated his works, more or less subtly. In some, distinctions between man and beast were intentionally and at times rather brutally obscured, as in this pairing of a pouting lioness with the profile of Delacroix's artistic adversary, the painter Ingres. Museum: Metropolitan Museum of Art, New York, USA.

A Lioness and a Caricature of Ingres. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 5/16 x 9 13/16 in. (18.6 x 24.9 cm). Date: 1850s.Like many young artists of his day, Delacroix occasionally took up assignments to supply Parisian journals with caricatures that called for the comical distortion of figures' features or stance. By around 1820, such elements of exaggeration seem to have infiltrated his works, more or less subtly. In some, distinctions between man and beast were intentionally and at times rather brutally obscured, as in this pairing of a pouting lioness with the profile of Delacroix's artistic adversary, the painter Ingres. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of A Lioness and a Caricature of Ingres. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 5/16 x 9 13/16 in. (18.6 x 24.9 cm). Date: 1850s.Like many young artists of his day, Delacroix occasionally took up assignments to supply Parisian journals with caricatures that called for the comical distortion of figures' features or stance. By around 1820, such elements of exaggeration seem to have infiltrated his works, more or less subtly. In some, distinctions between man and beast were intentionally and at times rather brutally obscured, as in this pairing of a pouting lioness with the profile of Delacroix's artistic adversary, the painter Ingres. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17427442Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3992×2952
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