Life in Camp, Part 2: Good Bye. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm). Publisher: Louis Prang & Co. (Boston, Massachusetts); Beadle & Co. (London). Date: 1864.In 1864 Homer designed two series of lithographed collectors' cards titled Life in Camp. Unlike his wartime images for Harper's Weekly, the artist felt free to inject humor into these miniature comments on army life. Here a farewell embrace between a soldier and his wife or sweetheart is impeded by his impressive mustache. By 1864 the war was entering its final months, and formerly sacrosanct subjects could be approached more lightly. Museum: Metropolitan Museum of Art, New York, USA.

Brand: Album Archivo
SKU: 4409-17391914
Availability: InStock

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Life in Camp, Part 2: Good Bye. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm). Publisher: Louis Prang & Co. (Boston, Massachusetts); Beadle & Co. (London). Date: 1864.In 1864 Homer designed two series of lithographed collectors' cards titled Life in Camp. Unlike his wartime images for Harper's Weekly, the artist felt free to inject humor into these miniature comments on army life. Here a farewell embrace between a soldier and his wife or sweetheart is impeded by his impressive mustache. By 1864 the war was entering its final months, and formerly sacrosanct subjects could be approached more lightly. Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Life in Camp, Part 2: Good Bye. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm). Publisher: Louis Prang & Co. (Boston, Massachusetts); Beadle & Co. (London). Date: 1864.In 1864 Homer designed two series of lithographed collectors' cards titled Life in Camp. Unlike his wartime images for Harper's Weekly, the artist felt free to inject humor into these miniature comments on army life. Here a farewell embrace between a soldier and his wife or sweetheart is impeded by his impressive mustache. By 1864 the war was entering its final months, and formerly sacrosanct subjects could be approached more lightly. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.