Li Bai gazing at the waterfall on Mount Lu late 15th century Zhong Li Chinese Nearly three hundred years after the death of the Song academician Ma Yuan (act. ca. 1190-1225), a Ming emperor proudly declared Zhong Li to be Ma Yuan reborn. Indeed, Zhong's works, painted in a typically bold, breezy, almost contemptuous manner, represent the end of the Ma Yuan tradition. Brought to this level of large-scale power, directness, and nearly total absence of subtlety or nuance, the tradition of Ma Yuan perhaps could not evolve further. Zhong Li was among the last great court painters in this lineage.This strongly painted composition, the best known of Zhong Li's signed works, is a classic Ming academic-style picture; it continues Dai Jin's (1388-1462) monumental refiguration of the Southern Song academic manner. The interior dynamics are even more spectacular than in earlier works in the tradition, from the explosive energies of the plunging waterfall and dramatically towering cliff face to the

Brand: PL Photography Limited
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Li Bai gazing at the waterfall on Mount Lu late 15th century Zhong Li Chinese Nearly three hundred years after the death of the Song academician Ma Yuan (act. ca. 1190-1225), a Ming emperor proudly declared Zhong Li to be Ma Yuan reborn. Indeed, Zhong's works, painted in a typically bold, breezy, almost contemptuous manner, represent the end of the Ma Yuan tradition. Brought to this level of large-scale power, directness, and nearly total absence of subtlety or nuance, the tradition of Ma Yuan perhaps could not evolve further. Zhong Li was among the last great court painters in this lineage.This strongly painted composition, the best known of Zhong Li's signed works, is a classic Ming academic-style picture; it continues Dai Jin's (1388-1462) monumental refiguration of the Southern Song academic manner. The interior dynamics are even more spectacular than in earlier works in the tradition, from the explosive energies of the plunging waterfall and dramatically towering cliff face to the

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Li Bai gazing at the waterfall on Mount Lu late 15th century Zhong Li Chinese Nearly three hundred years after the death of the Song academician Ma Yuan (act. ca. 1190-1225), a Ming emperor proudly declared Zhong Li to be Ma Yuan reborn. Indeed, Zhong's works, painted in a typically bold, breezy, almost contemptuous manner, represent the end of the Ma Yuan tradition. Brought to this level of large-scale power, directness, and nearly total absence of subtlety or nuance, the tradition of Ma Yuan perhaps could not evolve further. Zhong Li was among the last great court painters in this lineage.This strongly painted composition, the best known of Zhong Li's signed works, is a classic Ming academic-style picture; it continues Dai Jin's (1388-1462) monumental refiguration of the Southern Song academic manner. The interior dynamics are even more spectacular than in earlier works in the tradition, from the explosive energies of the plunging waterfall and dramatically towering cliff face to the by Piemags/PL Photography Limited is available for licensing today.

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