The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The ninth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortinaalso designed by Burnacini.. The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621-1682). 1668. Etching

The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The ninth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortinaalso designed by Burnacini.. The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621-1682). 1668. Etching
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